The Strangers might not be the kind of horror movie I’ll revisit time and time again, but it will stick with me, finding ways to freak me out with minimal resources.

There are gaps filled with nothing but silence; still, for a no-budget indie, it’s still constructed rather competently.

Bad Boys: Ride or Die might explore too many plotlines or bolt between too many characters, but brains-free enjoyment reigns supreme.

There is a lot that the movie does so right, which is why its various faux pas feel that much more disappointing, but this is far from an overall failure. It's a sign of great things to come from Williams and from The Horror Section.

In a land where truth is habitually stripped away in favor of political and religious control, Bread & Roses serves as a reminder of the bravery of those who sacrificed all for the love of their country and community.

The film memorializes André and keeps him from being forgotten — something he mentions multiple times throughout the film. Yet it also helps André come to terms with everything.

In the end, Splitsville is a lot of stupid fun told smartly, unafraid to lean into the salacious while still somehow maintaining an emotional groundedness.

Sometimes, in film and in life, the greatest gifts are the ones you don’t expect yet were there all along. Omni Loop is this in beautiful, bittersweet action. As it loops back one more time, you’ll wish you could run it all back again.

The film manages to capture the specific way queer communities communicate with one another and the unique chemistry between them in a way few others have.

For those drawn to the bent, who crave some "Cheepnis" in a cinematic landscape of overproduced and overpriced madness, they just might fall in love with Dead Lover for all of its foul, fecund, and farcical facets.

Linklater reminds us that he's still able to make two people simply sitting around and talking fascinating. After all these years, the pair of Hawke and Linklater remains a winning combination.

An unrelenting and visceral experience, Julia Max's feature film debut boasts unique and enthralling horror that is more than worthy of haunting your screen.

Regardless of its slight fallbacks, Turtles All the Way Down tells a moving story about a teenager's isolating struggle with mental illness, and her resolve to build a life for herself despite it.

It's enjoyable, sexy, and features a romance worth rooting for — because the only red flag here is the public's reaction to their relationship.

For a director like Howard, whose work can sometimes be a bit too sterile, Eden is a curious experiment in search of a purpose.

While vast in scope, Fighters perfectly weaponizes the magnitude of its stars and utilizes their shared likability to build a real sense of camaraderie among the squadron. This emotional investment proves vital.

Predator: Badlands might not be the shock to the system that Prey was, but it is continued proof that putting Predator in Trachtenberg's was one of the smartest moves this franchise has ever made. The writer and director continues to find brilliant, fascinating ways to explore and expand the Predator movies to an exhilarating level, making this series better than it ever has been.

Like the songs it’s built around, it’s simple and familiar, and sometimes that’s enough to make a movie feel so good, so good.

Trier's understanding of complex family relationships and his ability to portray them honestly make this yet another win for him and a solid entry into his filmography.

Heretic is a clever twist on the religious horror genre, bolstered by three strong performances, particularly Grant’s gregarious yet haunting Mr. Reed.

Without talking about how, why, or in what manner, it is Acken who emerges as the darkly delightful standout of The Sacrifice Game.

Eternity is a cute rom-com with a great cast, but it could've used more exploration of its afterlife.

The story might be thin, and some new characters might not get the attention they deserve, yet The Super Mario Galaxy Movie remains a charming, often hilarious, and playful testament to the greatest video game franchise of all time.

It's not a perfect horror movie, but it has all the right ingredients and is such a great way for someone who enjoys the rougher things in life to spend 90 minutes.

Rental Family’s intent is to create a satisfying, touching, and ultimately emotional film with sweet performances and quiet drama, and that’s exactly what it delivers.

River Gallo shows not only that these stories are powerful and have value, but can also be beautiful and deeply moving.

It settles into a steady rhythm by the halfway point, and goes against the grain of your average survival thriller by emphasizing just how brutal and unfeeling nature is, regardless of how big and strong you are.

As a whole, Devara: Part 1 is a bold and engaging tale marked with a pair of excellent performances by starN.T. Rama Rao, Jr., alongside a bold antagonist outing from Saif Ali Khan.