Ultimately, Tuner is an enjoyable caper with a lot of elements you've seen in other movies, but rarely in this order. Impeccable production and subtle commentary will be a delight for cinephiles, while the unique setup keeps you engaged right up until the final note is played.

Hell Hole is a solidly gory, goofy little ride that cuts through any hiccups to get to the meat of a madcap indie monster movie.

Flow takes a fascinating and effective approach to animated stories and shows that the barrier between the two types should be broken down more often.

Moving, emotional, and ultimately cathartic, Renoir is a quiet and stirring coming-of-age story that reminds us of our own childhood and the impactful time that can be.

The Smashing Machine boasts strong performance, but the film hits fairly generic story beats.

The Sun Never Sets is a charming take on the love triangle and a strong return to movies for Swanberg. The mixture of Fanning, Johnson, and Smith works well, and this romance is handled quite nicely without becoming frustrating with all its relationship back-and-forths.

With two movies under their belt, Statham and Ayer have proved to be the perfect match for delivering entertaining and simple action flicks to the big screen.

Stevenson's debut feature is a smart handling of horror with imagery that won't soon leave your mind, elevated by an uncomfortable performance by Free. Stevenson shows how to bring a franchise back from the dead, and proves that maybe this series doesn't have to be all just for Damien.

Buddy is a blood-soaked nightmare full of dark humor and surprisingly touching moments. Like its title character, Buddy isn’t just fluff, there’s something deeper inside.

Gail Daughtry and the Celebrity Sex Pass is as unhinged as the name implies, and it’s exactly what we’d want from Wain and Marino. These two have proven that their brand of comedy hasn’t gotten old over the decades, and thank goodness they’re back making the most insane movie comedies out there.

Far from a gritty reimagining, this new version of Masters of the Universe is determined to wink at the camera and appeal to your nostalgia. Not everything works, and it would have been nice to have a more menacing villain, but it's a good time if you leave your cynicism at the door.

It's a beautiful tribute to a legend, packed with footage and interviews that highlight his accomplishments and unique talents, though at times a greater focus on John Williams the man, or a follow-up on certain thought-provoking threads, would be welcome.

There is much about it that remains imperfect, especially in terms of some of the broad character beats that it begins with, but it proves to be proper fun once it gets going.

It’s a weird film that eventually gets lost in itself, but there’s still much to be appreciated.

If you don’t like horror movies, then don’t go see this movie. This isn’t for you! This is for the Final Destination fans who’ve waited patiently for over a decade. It’s also for those who enjoy a ride of a movie that will raise and drop your heart rate multiple times over an hour and 47 minutes. With horror franchises constantly coming back from the dead, Bloodlines is one of the freshest we’ve seen in a while. It’s the perfect blend of going back to basics and cooking up something new, drenched in blood and snapping bones.

Even when it can risk falling into being a little repetitive and dulling its impact, it will swerve in just the right way to keep you on your toes.

Demon Slayer: Infinity Castle boasts stellar action, animation, and some wonderful performances, but it would be better as episodes than as a standalone film.

Upgraded is still worth the watch for the couture, the comedy, and the Devil Wears Prada-esque journey of self-discovery.

Rainn Wilson gives one of his best performances in this compelling action comedy.

The Best Summer takes the audience on a summer road trip with some of the biggest musicians of the '90s, and it's a blast to be along for the ride. Davis' collection of videotapes makes this feel like we're coming across a collection of private moments, rather than a concert documentary.

The undeniable likability of Ben Wang keeps things from sinking, and the marvelous action sequences mark a strong start to Jonathan Entwistle's feature filmmaking career.

Schimberg’s exploration of identity and representation has the best of intentions, but the more audacious aspects of A Different Man often overwhelm the interesting themes at the center of the film.

If you're in the mood for a good slasher flick that doesn't try and reinvent the genre, then All My Friends Are Dead is a perfect fit!

Brats serves as not only an enjoyable walk down memory lane but also something deeper and more self-reflective.

It’s a fun romantic romp, filled to the brim with gorgeous scenery, gorgeous clothing, and beautiful people.

The Grand Finale tries to bring some weightiness back into this world, and, for the most part, it works with a fitting conclusion to this universe.

It's certainly not Francis Ford Coppola's most well-known war movie, but Gardens of Stone is a pretty decent one, and does feel somewhat underrated.

Ready or Not seemed to close the book on Grace's story, but Here I Come effectively shows that there are still potentially chapters to explore in this tale. Did we need a sequel to Ready or Not? Probably not. But hell yeah, it's great that we have one.