Chicago Tribune's Scores

For 7,601 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7601 movie reviews
  1. Nothing is harder and more elusive than successful slapstick onscreen. Nothing.
    • 36 Metascore
    • 38 Critic Score
    Director Paul McGuigan ("Lucky Number Slevin") has never been keen on plot logic, and that might be fine here if he offered anything other than Peter Sova's lush images of Hong Kong.
  2. A genial, sloppy, minor affair, offering a smidgen of inside baseball, which includes a gag at the expense of the forgotten, late '80s Lucas-produced epic "Willow."
    • 38 Metascore
    • 38 Critic Score
    A thin, largely unfunny comedy that marries lazy filmmaking with bad timing.
  3. While its globe-trotting itinerary recalls the mad whirl of a "Bourne" picture, nothing about this film's style resembles the second or third "Bourne" outings (which I loved).
  4. The actors are strong, however, and Banks in particular shows some skill and wiles in keeping her rascally stepmother stereotype lively.
    • 51 Metascore
    • 75 Critic Score
    There is no mythology, no irony, no real soul--just a Charles Bronson simplicity about the whole affair.
  5. New in Town is "The Pajama Game" without the songs, the laughs or the bare-knuckled realism.
  6. The theater building is a four-story monster, and by the end of the picture we know it very well, in all its broken-down glory.
  7. The nuttiest hunk of junk in many months.
  8. A fine ensemble, some gorgeous Italian Riviera locales, intermittent flashes of magic amid a more manufactured air of whimsy.
  9. A massive and rather tiring showcase for Bollywood action hero Akshay Kumar.
  10. Not bad, not great, a little less pushy and grating than the usual.
  11. Bride Wars really does not capture the mood of the moment. It comes from a different time, a different planet.
  12. The film is likable. Its messages, many of them Lord-oriented, are all equally heartfelt.
  13. This material is offensive. The film may end with a straight-faced reassurance that "no actual Torah scrolls were destroyed or damaged in the making of this motion picture," but it's perfectly willing to exploit the Holocaust for cheap, weak thrills.
  14. A preposterous but beautifully polished Danish thriller.
  15. Even with its limitations, I find Silent Light spellbinding.
  16. The film should've aimed higher, given all that these people endured to have their story told.
  17. However sterling the craftsmanship, the film adaptation inflates the meaning and buffs the atmospheric surfaces of Yates' story, rather than digging into its guts.
  18. Only Sarah Paulson, as the Spirit's doctor and sometime lover, seems to be in there playing the scenes as if she were a human being in a comic book superhero scenario, as opposed to a comic book character stuck in a cruddy movie.
  19. Yet it's worth seeing because the sights are truly something. Claudio Miranda's pearly cinematography, Donald Graham Burt's luscious production design, the visual effects supervised by Eric Barba--everything blends, and none of the seams show.
  20. Clean enough to fly the Walt Disney Pictures flag, yet it's full of bimbos and cleavage and shots of Adam Sandler getting kicked in the shins by a dwarf.
  21. Last Chance Harvey is what it is: a pleasant put-up job, held up by world-class pros.
    • 53 Metascore
    • 75 Critic Score
    And then there's Alan Arkin, who, as John's editor, is hilarious and dry--it's frankly a shame he's not onscreen for every single scene.
  22. It's a procedural, often absorbing, rarely surprising, about a briefcase bomb and a near-miss. Yet there's no question the film feels dodgy and vague when it comes to the personalities and ideology of the men onscreen.
  23. It is personal filmmaking of the highest order, recognized with an Academy Award nomination for best foreign film.
  24. For me, it's a sign that a filmmaker is on to something if you love hanging out with the characters as they eat and drink and talk and reveal little bits of themselves through everyday action.
  25. I admired the craft more than I loved the results. But The Tales of Despereaux is still better-than-average animation.
  26. Starts out wobbly but ends up quite nicely, primarily because Carrey has a wonderful acting partner in Zooey Deschanel.

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