Chicago Tribune's Scores

For 7,601 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7601 movie reviews
  1. The result just might be the most hypocritical feature in the history of film as well as the history of hypocrisy, and along with serving beer, I hope they show I Hope They Serve Beer in Hell in hell.
  2. For the film to be truer to the school’s reputation, it would have had to dig a little deeper.
  3. At its best, this uneven work represents Moore at the peak of his argumentative skills.
  4. Fairly inventive and exceedingly manic.
  5. More than any previous screen role, this one affords Damon a chance to work his sly comic chops.
  6. I wish the movie made emotional sense, because it’s all about getting in touch with whatever’s holding you back, but it doesn’t.
  7. The movie’s partially redeemed by Seyfried, who makes her character more than a repository for audience sympathy. (Her make-out scene with Fox is handled with more suspense and care than anything else in the movie.)
  8. The actors, remarkable and seasoned, take care of their end of things, stylishly and (when and where it can be arranged) truthfully.
  9. In its way Campion’s film is a thing of beauty, but its characters’ inner lives must be taken on faith.
  10. 9
    Something has gone slightly awry, however, en route from the 11-minute film to the 79-minute edition of 9.
  11. The funniest American comedy of the summer.
  12. There’s nothing wrong with All About Steve that a rewrite couldn’t fix, as long as the rewrite involved a different writer, a different character and a different story.
  13. While White plays it supercool, Tommy Davidson and Arsenio Hall (as Cream Corn and Tasty Freeze, respectively) swing for the fences, without much in the way of a bat.
  14. This is very light material, and, unusually for a Lee picture, not everybody in the ensemble appears to be acting in the same universe, let alone the same story. On the other hand: It’s fun.
  15. The material may be formulaic, but the spirit of the piece is friendly.
  16. The result is a Jewish “Death Wish,” to borrow Pauline Kael’s description of “Marathon Man,” amped up to epoch-changing proportions, made by a gentile writer-director with an unlimited appetite for celluloid, right down to its highly flammable properties.
  17. Sharp, well-acted film.
  18. Not so much character-driven as character-dragged--against its will.
  19. If you have any curiosity at all about how a fellow like George Hamilton became a fellow like George Hamilton, My One and Only answers the question by looking, fondly, at his primary caregiver.
  20. Some movies pack such a terrific central idea, even their flaws can’t stop the train. District 9 is one of them.
  21. The emotions and crises feel pre-sanded, smooth to the point of blandness.
  22. Sloppy, grimy but quick on its feet, which puts it ahead of certain other (“The Hangover”) R-rated comedies (“The Hangover”) we’ve seen this summer (“The Hangover”).
  23. Why isn’t the film better? Guggenheim doesn’t seem to have prodded his subjects in any interesting directions.
  24. Here’s the surprise: Bandslam may come from synthetic materials, but the characters are a little more complicated than usual.
  25. G.I. Joe may not be beefier, but it’s cheesier and less aggravating than "Transformers: Revenge of the Fallen," the summer ’09 headbanger it most resembles.
  26. One can’t help but wonder if Ephron would’ve been better off focusing exclusively on Child: She’s simply more interesting screen company.
  27. When the story’s twist arrives, you half-expect Twohy to throw in a couple of reels from "Dead Again," plus outtakes from "The Usual Suspects." It’s a lulu; I'm just not sure if it's the sort of lulu that will lead to great word-of-mouth.
  28. 50 percent good and 50 percent close.
  29. If you’re new to the Dardennes, Lorna’s Silence will serve as a fine introduction.
  30. Be warned: Thirst is one of those pictures that tacks on another chapter just when you think it’s wrapping up.

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