Chicago Tribune's Scores

For 7,601 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7601 movie reviews
    • 76 Metascore
    • 88 Critic Score
    Swinging gleefully on a sun-soaked afternoon, crafting strangely intoxicating phrases, O’Day could do no wrong on that afternoon at the Newport Jazz Festival in Rhode Island in 1958.
  1. Unfortunately it’s all a bit dull.
  2. The vocal characterizations aren't the problem here; the script and the animation are the problems, and in feature animation, you can't arrange more significant problems than those.
  3. In the end Tropic Thunder is an expensive goof about an expensive goof, and the results are very impressive and fancy-looking.
  4. Elegy is a curious example of misplaced good taste.
    • 59 Metascore
    • 38 Critic Score
    On your deathbed you will want back the time it takes to see this one.
  5. A whopper this isn't. It's not even a Whopper Junior. It's the paper the Whopper Junior came in.
  6. Like so many earlier movie biographies, Secret suffers from bathetic storytelling and dialogue, some of it laughable.
    • 52 Metascore
    • 50 Critic Score
    A micro-indie passport party that, while well-intentioned, evokes the same feelings that have been known to arise from being subjected to your friends' vacation movies.
  7. Around the midpoint, Pineapple Express falls apart and keeps falling, and the comedy, spiced with considerable, unevenly effective violence in that first hour, goes out the window, and in comes all the gore and the bone-crunching.
  8. Wine may be sunlight held together by water, as Galileo said, but Bottle Shock is held together only by Alan Rickman.
  9. If one thing holds the picture back, it’s the self-conscious album-cover aesthetic of Sebring’s visual approach.
    • 63 Metascore
    • 88 Critic Score
    The four stars of Sisterhood are back for this smart, confident second act, based on novels by Anne Brashares.
  10. The film has one objective: to smack its audience in the face with fleeting, competing wows, over and over.
  11. This one may be soft and derivative. But the actors establish a groove and stay on-message.
  12. It's labeled a "true-ish story," and the results are cheeky fun.
  13. It wanders and putters and follows its main characters around.
    • 82 Metascore
    • 88 Critic Score
    Possibly one of the biggest reasons Frozen River stands out among bad-decision movies is that Ray never really tries to justify her actions.
  14. The story is both a muddle and a drag.
  15. Stupid, predictable and fairly funny.
  16. As close to fraudulent as a documentary can get and still be worth seeing.
  17. The new film seems a little nervous about the religious content; it's more interested in the swoony bits between Charles and Julia.
  18. By no means a typical concert movie; the selections are played mostly in short takes and snippets. It's more a road movie with music, its war topic treated with earnest seriousness.
  19. The film itself is perfectly poised between artistry and audacity. It's beautiful.
  20. Like "Control," the recent Anton Corbijn treatment of rock star Ian Curtis' short life, the powerful British drama Boy A announces its gravitas with a look--organically achieved, with cinematography, production design and direction working together--you are meant to notice.
  21. Sensational, grandly sinister and not for the kids, The Dark Knight elevates pulp to a very high level.
  22. It's funny what you buy completely onstage and resist completely, or nearly, on-screen. Case in point: Mamma Mia!
  23. Sucks a whole lot of talented people into a wormhole of lousy. The film either needed to be a lot wittier to make up for the way it looks, or a lot better-looking to compensate for the funny it isn't.
  24. The movie overall is engaging, though it's more cavalier regarding story and relentless in its action than its predecessor.
  25. You don't believe a second of it, but it's easy to enjoy, partly because of the casting of all three leads.

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