Chicago Tribune's Scores

For 7,613 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7613 movie reviews
  1. The plot thickens and thickens and thickens until it chokes on a tangled mess of double-crosses.
    • Chicago Tribune
  2. Astonishing, crazily delightful.
  3. Tom Lazarus and Rick Ramage should be ashamed to have written such nonsense.
  4. Beautifully produced: a moving film with a fascinating story and exemplary acting.
    • 62 Metascore
    • 75 Critic Score
    Like Richard Linklater's "Dazed and Confused," Outside Providence reminisces vividly, recalling the era fondly but not with too much sugar.
  5. It's one of those movies that are unfortunately so technically well done, it's hard to tune out on the senseless story.
    • Chicago Tribune
  6. Has a remote feel. It sometimes impresses but never soars.
    • Chicago Tribune
  7. It was the adult in me that wept when the movie ended. Take the kid and have a good time.
  8. A real gem: a deadpan fantasy that turns into one of the best pictures ever about the post-"Star Wars" studio moviemaking era.
    • 44 Metascore
    • 38 Critic Score
    Like an obnoxious uncle desparately trying to amuse the young'uns with poo-poo humor and dum-dum pratfalls.
  9. An oft-told tale.
    • Chicago Tribune
  10. The same bland vision of teendom that's become inescapable on the small and big screens.
  11. A limply derivative, disappointingly trivial and hokey fish-out-of-water crime comedy.
  12. The movie, directed by veteran Jonathan Kaplan, has enough in common with such American-in-foreign-jail movies as "Midnight Express" and the recent "Return to Paradise" to make you wonder why it ever got made.
  13. One of the best and funniest things that Martin, as writer and actor, has ever done.
  14. A rock 'n' roll film should be funny-crazy -- not just a big, dumb promo for some over-the-hill dudes in makeup who are trying to sell today's kids on yesterday's glory by championing deliquency.
  15. Despite its familiar trappings, Better Than Chocolate turns out to be quite enjoyable, thanks to some very engaging acting, a few involving subplots and an energy that must be credited to director Anne Wheeler. [27 Aug 1999, p.I]
    • Chicago Tribune
  16. Too expensive for its own good, too chic for comfort.
  17. They're a ragtag assembly for sure, and the results aren't pretty. But on a simple mission of entertainment, they get the job done.
  18. A film which should gratify any audience starved for intelligent dialogue, realistic portrayals of romance and lovely, non-cliched open-air photography.
  19. A gloriously giddy movie about theater, love and artifice, an unabashed art film.
  20. An animated tale equipped with heart, humor, blazing action and not a sappy song in earshot.
    • 64 Metascore
    • 88 Critic Score
    Perhaps the most startling part is the realization that, in the turn-off-your-brain season of summer, you've just experienced an uncommonly serious-minded movie that's brave enough to engage our deepest emotions on issues of death, madness, illusion and forgiveness. That's the biggest thrill of them all.
  21. A shiny bauble full of dead weight, gloppy good feeling and airless cliches. And every time you try to grab onto "Bride's" characters, they run away. [30 July 1999]
    • Chicago Tribune
  22. If you're in the mood for something strange, this film may please you, twice over.
  23. Even overlooking the fundamental inanity of the movie, one is left to contend with some offensive racial stereotyping.
  24. Feels like a demonstration reel for toys, action figures and future DisneyQuest installations.
  25. There may be better ways to waste your time than seeing this movie.
  26. In The Haunting, the moviemakers succeed in something very difficult: creating a haunted house with real personality and terror. [23 July 1999, p.A]
    • Chicago Tribune
  27. Nostalgia has no real point to make here. All that Famuyiwa can hope to accomplish is to tell his story well. In this area he is less than competent.

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