For 7,599 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,104 out of 7599
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Mixed: 1,473 out of 7599
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Negative: 1,022 out of 7599
7599
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Wilmington
Kirk Douglas' performance...is so strong and inspiring it's a shame there isn't a better movie around it.- Chicago Tribune
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Reviewed by
Michael Wilmington
On many levels, it hits its marks -- but it still misses the impact of some shorter, less-ambitious movies that play with our emotions more deftly or deeply, walk their miles, deadly or not, with a lighter, faster, more confident tread.- Chicago Tribune
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Reviewed by
John Petrakis
Custom-designed for 13 year-olds, laden with broad sight gags, gross sound effects and a bowlful of potty jokes.- Chicago Tribune
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Reviewed by
Michael Wilmington
A horror movie with a Hitchcockian veneer of the everyday, a story that taps into our fear not only of the paranormal but also of insanity and the secret evil that may lie beneath ordinary lives.- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Wilmington
This subtle, beautifully shot film is a gently ironic study of the relationship between a Turkish filmmaker, who has returned to his country home to make an independent movie, and his elderly father, whom he has recruited as an actor. [13 Oct 2000, p.L]- Chicago Tribune
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Reviewed by
Michael Wilmington
A bawdy comedy that convincingly celebrates the resilience of the urban poor and the power of friendship in the teeth of despair.- Chicago Tribune
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Reviewed by
Michael Wilmington
Few recent movie romances have a more chilling and peculiar feel -- and a more sobering aftertaste -- than Neil Jordan's heart-rendingly cold adaptation of Affair.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
As much fun as anything director/co-writer Jane Campion has ever filmed. Holy Smoke lets it all hang out.- Chicago Tribune
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Reviewed by
Michael Wilmington
Exquisitely designed, lovingly executed, beautifully scored and played, every hair and note in place, it's a movie full of irony, passion and bluesy riffs.- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Wilmington
This smart, hardscrabble, very likable film has a heart and spirit all its own: a rollicking, earthy flair and lusty intelligence.- Chicago Tribune
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Reviewed by
Michael Wilmington
At a time when new westerns are in short supply, Devil a sight for sore eyes.- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Wilmington
An overblown, overspectacular, oversold movie without an original idea in its head.- Chicago Tribune
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- Critic Score
You can't ask for a family film to do more than Toy Story 2. It's smart and playful enough to entertain adults, yet it never aims above the heads of kids.- Chicago Tribune
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- Chicago Tribune
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- Chicago Tribune
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- Critic Score
Generous in spirit and always engaging as it demonstrates that no matter how difficult life may become, there's no excuse for being drab.- Chicago Tribune
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Reviewed by
Michael Wilmington
Why should we keep seeing Austen fresh, through our own, modern eyes? Because she's a writer who has never really left our field of vision. And, as this new Mansfield Park proves again, she never will.- Chicago Tribune
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Few mainstream films portray the religiousness or ethnicity of characters with such detail, warmth and humor as Liberty Heights.- Chicago Tribune
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- Critic Score
Smith's strongest suit is writing dialogue that slips smart insights in between pop-culture references and raunchy language.- Chicago Tribune
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Reviewed by
Michael Wilmington
A rare example of a literary film that preserves the best of its source while creatively filling up on it.- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Wilmington
These are real characters, fully observed, gutsily written, beautifully acted by the two leads.- Chicago Tribune
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Reviewed by
Barbara Shulgasser
Although Where's Marlowe abounds with many supposedly clever ideas, it's about as badly made as anything you'll see anywhere on television.- Chicago Tribune
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Reviewed by
Michael Wilmington
Such a sour, mindlessly inflated experience that seeing it may temporarily put you off historical movies.- Chicago Tribune
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Reviewed by
Barbara Shulgasser
This is a good-hearted movie that unfortunately is wildly implausible and makes no sense.- Chicago Tribune
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- Critic Score
The sense that the movie serves mostly to showcase a slew of purchasable cartoon figures loses nothing in the translation.- Chicago Tribune
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- Critic Score
Too bad the movie concentrates on the male point of view because it kicks to life when Zellweger is on screen.- Chicago Tribune
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Reviewed by
Michael Wilmington
Two gifted co-stars, Denzel Washington and Angelina Jolie, and the highly imaginative thriller specialist Phillip Noyce lend some luster and credibility to another borderline-absurd scenario.- Chicago Tribune
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Reviewed by
Michael Wilmington
A fairy tale comedy with the Holocaust as the background, a collision of terror and community, death and beauty.- Chicago Tribune
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