Chicago Tribune's Scores

For 7,613 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7613 movie reviews
  1. An often-wondrous comedy, just as rich and surprising as "L.A. Confidential" but considerably less dark.
  2. This new heist movie by the great thriller director John Frankenheimer flails around like its own dysfunctional gang of casino robbers.
  3. Beautiful little film.
    • Chicago Tribune
  4. A rather wan version of "Jurassic Park" - a series of setups featuring humans being picked off by bigger, faster and stronger carnivores.
  5. (Matthau's) is a truly magical performance: hilarious, unguarded and deeply touching.
    • Chicago Tribune
    • 75 Metascore
    • 88 Critic Score
    Tells an inspiring story, unknown or forgotten by many, while bringing the past to life and illuminating issues that persist today.
    • Chicago Tribune
  6. Wacky and heartless, bloody and silly -- and it ends in a flourish of grotesque sentimentality.
  7. A beautiful and genuinely spirit-lifting film about poverty and education.
  8. For a movie that begins so intriguingly, Boiler Room becomes boilerplate all too quickly.
    • Chicago Tribune
    • 53 Metascore
    • 75 Critic Score
    Disney has reinvigorated the Milne series while staying true both to his and illustrator E.H. Shepherd's original artistic visions.
    • 34 Metascore
    • 63 Critic Score
    Succeeds in bringing the best attributes of Nickelodeon TV to the big screen.
  9. Tries to take us from heaven to hell but winds up leaving us in limbo: exasperated and dumfounded.
    • Chicago Tribune
    • 56 Metascore
    • 50 Critic Score
    Although Scream 3 is often clever in the way it interweaves the worlds of "Scream," "Stab" and life outside the theater, it's not exactly groundbreaking.
  10. (Kids) are likely to reject Grizzly Falls as though it were a piece of chewed-over bear fat.
    • Chicago Tribune
  11. A flabbergasting waste of time and talent.
  12. Tries to blend old film noir and new high-tech thriller styles with only sporadic impact.
    • Chicago Tribune
  13. Ostensibly a story about first love in college, and I never believed a frame of it.
    • Chicago Tribune
  14. This was a mission that should have been aborted long ago.
    • 61 Metascore
    • 75 Critic Score
    A film that proves even the tiredest genre can be reinvigorated in the right hands.
    • 41 Metascore
    • 38 Critic Score
    Almost comes as a breath of fresh air. Too bad it's so foul.
  15. Though not as good or as massively innovative as its predecessor, is still a mountainous undertaking.
    • Chicago Tribune
  16. Both the movie and Denzel Washington are knockouts.
    • Chicago Tribune
  17. Fghting your heart out at the end of this movie can't win the prize or the crowd.
  18. Once you get used to the broad gestures, visual stylings and reach-for-the-sky emotions, you may find yourself luxuriating in this movie's undeniable grandeur.
  19. It's a clever premise but not one that lends itself to an hour and 42 minutes of high jinks. You get the joke quickly.
    • Chicago Tribune
  20. Minghella's psychological redraft muffles the menace, squanders the tension, throws away the main character and plot engine and turns Ripley into something he never was or should be.
  21. There's scarcely a scene in which the actors, action and sound track aren't cranked up to maximum intensity.
    • Chicago Tribune
  22. Haunts the conscience, troubles the spirit.
    • Chicago Tribune
  23. It's not that the movie is bad; it's merely uninspired and relatively clueless about Kaufman.
  24. Movies made from serious novels are often ridiculed as unworthy of their sources, but this one may be too worthy -- too reverent, too showy, too earnest.

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