For 7,599 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,104 out of 7599
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Mixed: 1,473 out of 7599
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Negative: 1,022 out of 7599
7599
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Maureen Ryan
A mostly charming comedy that could probably win over even the crustiest English literature professor. [31 Mar 1999]- Chicago Tribune
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Reviewed by
Mark Caro
The writing remains more intelligent than most thrillers, and the action is executed with such panache that even if you don't buy the reality of The Matrix, it's a helluva place to visit.- Chicago Tribune
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Reviewed by
Michael Wilmington
A nostalgia movie that doesn't get sticky with false sentiment.- Chicago Tribune
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Reviewed by
Michael Wilmington
Howard has a wonderful touch with actors, and almost all of them here have their moments. [26 March 1999, Friday, p.A]- Chicago Tribune
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Reviewed by
Mark Caro
You watch the movie in a dumbfounded stupor. Why on earth was it made? [26 March 1999, Friday, p.A]- Chicago Tribune
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Reviewed by
Michael Wilmington
For about half its length, Ravenous is a fairly effective scare picture, with a laugh or two. Then it just goes sour and pretentious. [19 March 1999, Friday, p.D]- Chicago Tribune
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Reviewed by
Rick Kogan
If you are misguided or otherwise unfortunate enough to see Forces of Nature, you will find yourself the next day with but one image, one memory, in your head: Sandra Bullock's teeth. [19 March 1999, Friday, p.A]- Chicago Tribune
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Reviewed by
Michael Wilmington
This is an old-fashioned movie done with wit, grace, smarts and style. [19 March 1999, Friday, p.A]- Chicago Tribune
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John Petrakis
The animation itself is just OK. And the reworked script, despite some funny one-liners, is pretty much there just to pull the story along to its inevitable conclusion. [19 March 1999, Friday, p. A]- Chicago Tribune
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Michael Wilmington
Should have worked on our emotions like a scalpel, made us cry and bleed. But, though it's an affecting, polished film, it's not satisfying. [12 March 1999, Friday, p.A]- Chicago Tribune
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Mark Caro
The movie plays like a very expanded version of what would make -- and likely has made -- a cute TV newsmagazine segment.- Chicago Tribune
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Reviewed by
Maureen Ryan
Tries mightily to give these warmed-over cliches the proper seasoning, but in the end, these leftovers fail to satisfy. [12 March 1999, Friday, p.L]- Chicago Tribune
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John Petrakis
The sequel is about nothing more profound than an awkward teenager's desire for a really cute boyfriend. [12 March 1999, Friday, p.N]- Chicago Tribune
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John Petrakis
At this point, "The Corruptor" looks as if it's going to be just a rehash of an early Dirty Harry movie, but it surprises by taking us inside Chinatown, where we discover just how sinister and elaborate the relationships between the police and the businessmen can be. [12 Mar 1999]- Chicago Tribune
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Michael Wilmington
Maybe the problem with Analyze This is that it isn't enough of a Ramis movie. [5 Mar 1999]- Chicago Tribune
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Mark Caro
As Cruel Intentions progresses, you may come to realize that if a bomb suddenly blew up everyone on screen, you wouldn't particularly miss anyone.- Chicago Tribune
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Reviewed by
John Petrakis
Plenty of fun, less for its many plot twists than for its large and varied assortment of vibrant characters. [12 Mar 1999]- Chicago Tribune
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Michael Wilmington
Very much a looking-back movie; its most obvious model is "American Graffiti." But if you know that particular slice of early '80s Manhattan, you may be as amused as I was. [26 Feb 1999]- Chicago Tribune
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Michael Wilmington
Once again, as love dies and illusions crumble, this natural actress (Isabelle Huppert) shines with human fire. [26 March 1999, Friday, p.B]- Chicago Tribune
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Mark Caro
Falls into a familiar trap, resembling a neatly wrapped made-for-TV homily. [26 February 1999, Friday, p.A]- Chicago Tribune
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Michael Wilmington
Drably shot, unimaginatively written and shallowly acted, it's a poor example of the "daffy, goofy, sex-crazed guys" occupational comedies that flourished throughout the job-obsessed '80s. [19 Feb 1999]- Chicago Tribune
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Michael Wilmington
A family tale, in the best sense. [19 February 1999, Tempo, p.4]- Chicago Tribune
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Mark Caro
It's not particularly funny or trenchant, and its portrayal of noxious high school cliques never amounts to more than was shown in "Heathers." [19 Feb 1999]- Chicago Tribune
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Mark Caro
Blast is just shooting blanks. [12 February 1999, Friday, p.A]- Chicago Tribune
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Michael Wilmington
Strikes me as a pure, unadulterated crock. [12 February 1999, Friday, p.A]- Chicago Tribune
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Michael Wilmington
There are good movies, bad movies and confoundingly bad movies. My Favorite Martian belongs to that rare third category. [12 Feb 1999, p.A]- Chicago Tribune
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John Petrakis
Falls prey to the all-too-contemporary problem of complicating the tale until the ending is not only obvious, but prayed for between yawns. [9 February 1999, Tempo, p.2]- Chicago Tribune
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Michael Wilmington
The idea may sound like fun, but the movie isn't. It's a travesty of a picture that's a disgrace to the memory of the great film from which it's remade. [5 February 1999, Friday, po.A]- Chicago Tribune
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Gene Siskel
Rachael Leigh Cook, as Laney, the plain Jane object of the makeover, is forced to demonstrate the biggest emotional range as a character, and she is equal to the assignment. I look forward to seeing her in her next picture. [29 Jan 1999, p.A]- Chicago Tribune
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John Petrakis
The shadow of Gena Rowlands looms over this picture like a cinematic eclipse. [25 January 1999, Tempo, p.5]- Chicago Tribune
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