Chicago Tribune's Scores

For 7,603 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7603 movie reviews
  1. While Nico and Dani presents itself as a no-frills coming-of-age tale, its soundtrack seems lifted from a teen comedy like "American Pie."
    • Chicago Tribune
  2. Though not as good or as massively innovative as its predecessor, is still a mountainous undertaking.
    • Chicago Tribune
    • 71 Metascore
    • 75 Critic Score
    It's a highly implausible story, but one that's told with engaging, often witty style, enhanced by the film's offbeat settings and situations and the charm of its cast. [29 Mar 1985, p.E]
    • Chicago Tribune
  3. A well-told, vividly imagined movie that doesn't pretend to be more than it is and doesn't lean on pop-culture references to win over its viewers.
    • 73 Metascore
    • 75 Critic Score
    Like Thompson's work itself, it sometimes feels like a smoke screen, a colorful but distracting, distracted set of pretenses hiding as much as they reveal.
  4. At times, it can feel a bit like “Clue” with so many plausible characters and motives swirling around and around, but Bana keeps it grounded, as a professional trying to do his job the best he can, while caught up in memory and trauma.
  5. Alas, the movie cannot resolve its story in any sort of surprising or truly fresh way. Where's a good old-fashioned deus ex machina capper when you need it? It's worth seeing nonetheless.
    • 61 Metascore
    • 75 Critic Score
    While the plot suffers from a few sit-comish aspects and some dumbly juvenile joking around between Lester and his buddies, the film gains strength from small, nutty scenes, dead-on reactions and off-the-wall lines that almost seem improvised.
  6. It's the non-superhero elements of Spider-Man: Homecoming that make it a great movie, and a non-stop fun summer flick. There isn't an ounce of fat on this film, packing in so many story elements and characters, while finding room for small, funny asides and moments that make it an addictively rich, idiosyncratic and re-watchable movie.
  7. Starts out slowly, unfolding a family history through the poetic use of black-and-white photographs -- blending the figures of Rana's ancestors into the frame as if they still watched the family.
  8. Swedish cinema has been famous for a number of things: beautiful actresses, fine sexy psychological dramas, natural settings, cinematic bawdiness and a touch of melancholy. Under the Sun fits that profile well.
    • 73 Metascore
    • 75 Critic Score
    Between the funky Alain Goraguer soundtrack, the sexy outfits, the surreal landscapes and the heavily metaphorical plot, the film still looks and sounds unlike anything else, either in animation or in sci-fi. [21 Jun 2016, p.C3]
    • Chicago Tribune
  9. Scott’s production works on the level of classy, confident yarn-spinning.
  10. It's suspenseful. Fleder and his able cast deliver a brisk, entertaining story that, despite straining credulity at times, earns a positive verdict -- no undue audience-rigging required.
  11. I don't think it's a great movie -- though Theron's is a near-great performance -- but it's not one you can easily forget.
  12. Hitch's most plausible, least suspenseful spy thriller, based on Leon Uris' reality-inspired novel of intrigue in Cuba and France. [23 Jun 2006, p.C2]
    • Chicago Tribune
  13. Wiig's natural and savvy instincts to go easy, and let the audience come to her, serve her and Bridesmaids well.
  14. Sylvester Stallone and Billy Dee Williams star in a thriller about New York detectives trying to capture an international terrorist. The story is full of holes but compelling nevertheless because we do grow to hate the terrorist and want him stopped. [19 June 1981, p.8]
    • Chicago Tribune
  15. Honey, I Shrunk the Kids is the happiest surprise of this summer so far, a children's film from Walt Disney Productions that effortlessly renews the best tradition of that studio's live-action features.
  16. Much of the movie's charm, in fact, is derived from its sense of its own instant disposability. Raimi has created the cinematic equivalent of fast food-efficient, unassuming and seriously regressive. It may not be much good for you in the end, but consuming it is loads of fun. [19 Feb 1993, Friday, p.C]
    • Chicago Tribune
  17. Operation Mincemeat takes liberties. All historically based movies do. Call Madden’s version a civilized shell game that accomplishes its mission, more or less in the spirit of how things actually got made up and went down.
  18. Che
    Che is Soderbergh's most interesting film in years, defiantly eccentric and absorbing at its best.
  19. Like the work of an expert tailor, it's done with unobtrusive skill, essential warmth and seamless grace.
  20. Macabre, oddly gripping.
  21. “Sunday Best,” from director Sacha Jenkins (who died this past May), is a fine effort that explores Sullivan’s commitment to pushing back against network forces, sponsors and other interested parties who were opposed to the presence — the celebration, really — of Black people on the show.
  22. Suggests a raunchier, cruder version of a Coen brothers comedy, but it's also a kind of honky-tonk "Rashomon."
    • Chicago Tribune
  23. It's a fervent, topical political drama of extraordinary impact and ferocity.
  24. A year into their new lives, all three men experience profound isolation. How, they wonder, can Americans live such anti-social lives, so unconcerned with the idea of societal interdependence? This is the chief unexamined question raised by a worthy picture. What is there holds you all the same.
  25. The film is a fine reminder of how cinematic language can and should transcend the spoken word.
  26. As a bonus, "Liquid" also includes eye-popping footage of the top surfers in the world (Taj Burrow, Laird Hamilton, Dave Kalama) -- wave riders who make the impossible look easy.

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