Chicago Tribune's Scores

For 7,603 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7603 movie reviews
  1. We know where The Order is going; the actors ensure our interest en route.
  2. I laughed all the way through it.
    • Chicago Tribune
  3. The film is a restrained, straightforward report about an iconoclastic family whose pain and dysfunction play out against a backdrop of tumbling ocean waves, muscular surfers and golden sunsets.
  4. Will The Innkeepers be enough for the young folk? These days there's little middle ground between the determined lack of gore in the "Paranormal Activity" franchise and the determined overabundance offered by so much else. West works in that No Man's Land, intelligently.
  5. An odd premise for a Spencer Tracy-Katharine Hepburn film--an anti-fascist melodrama with Tracy as the no-nonsense reporter investigating a beloved but tarnished American icon, Hepburn as the icon's wife--but they give it their trademark polish. [24 Feb 2006, p.C7]
    • Chicago Tribune
  6. Why does “New Moon” basically work, even with its grave self-seriousness? A few reasons. Weitz lets the material breathe, and his actors interact. The film does not try to eat you alive.
  7. As shrewd and accomplished as the movie is, there's still something uncomfortably manipulative about it... It doesn't explore its primal theme as much as it exploits it, tapping into the automatic, nearly universal power of guilt and regret. [21 Apr 1989, Friday, p.A]
    • Chicago Tribune
  8. It's a Solondz film; it's a given. Abe may deserve all that comes to him, but the question of how he got this way sustains the picture, against all odds.
  9. This is only a movie. But a good one. May Roddy Doyle give us many more.
  10. Huppert, Poelvoorde and Dussullier are experts all.
  11. At its best, Nightbitch is many things at once: funny, unruly, bizarre, tender.
  12. Like the frosty tropical drinks the people keep sipping here, it's refreshing and icy-cool, a sinful pleasure mixed by experts.
  13. It's roughly as realistic as Georges Melies' "A Trip to the Moon," of course. But revisiting our old pals (one of whom is played by an actor who is no longer with us) and watching them survive one unsurvivable collision or plunge after another, continues against the odds to have a walloping charm all its own.
  14. Establishes the comedian as just that: notorious -- in all the best ways outlaw comedy can make you a star.
  15. Advertised as having a Southern-influenced point of view, the jokes are witty and universal enough for everyone.
  16. A horror movie with a Hitchcockian veneer of the everyday, a story that taps into our fear not only of the paranormal but also of insanity and the secret evil that may lie beneath ordinary lives.
  17. Aside from Henry, Gunn's cast is on a collective wavelength. Banks, whose perkiness carries a slightly demented edge, matches up well with Nathan Fillion, who plays the lovelorn police chief.
  18. Everything that was false about the tsunami sequence in the recent Clint Eastwood film 'Hereafter' - the bland overview perspectives, the lack of human immediacy - is corrected, terrifyingly, by the first half-hour of director J.A. Bayona's nerve-shredding docudrama 'The Impossible.'
  19. By no means a typical concert movie; the selections are played mostly in short takes and snippets. It's more a road movie with music, its war topic treated with earnest seriousness.
  20. A bunch of scattered laughs. [22 June 1984, p.5-12]
    • Chicago Tribune
  21. If the mark of a successful documentary is its ability to make us examine a tired subject in a fresh way, then Eyes is a rip-roaring success.
    • Chicago Tribune
  22. True to form, Guest's newest doesn't pull out the long knives. On the gentleness scale, this one's way over here, as opposed to the film of the moment, "Borat," which is way, way over there.
  23. Here is a film of staggering technical and visual virtuosity, filled with utterly amazing images, that's also entertaining and engaging for children and adults on several levels.
  24. Pump Up the Volume, an exceedingly well-written teenager-full-of-angst melodrama about a high school student who operates a pirate radio broadcast that criticizes parents and teachers while revealing the turmoil of adolescence.
    • Chicago Tribune
  25. If you’re a Chicagoan, if you have just a smidgen of interest in the city’s arts scene and if you’ve been around a while, there’s no way to be objective about I Want Someone to Eat Cheese With.
  26. In the end, as proven by that mixed emotional chord, any director this far along in developing an assured visual style truly is a director to watch.
  27. The latest “Emma,” marking the feature directorial debut of Autumn de Wilde, is a little edgier, driven by a more ambiguous and emotionally guarded portrayal of the blithe young matchmaker played by Anya Taylor-Joy.

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