Chicago Tribune's Scores

For 7,603 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7603 movie reviews
  1. Hot Shots! is very sharp and very funny, and if it doesn't have the aggressive, anarchic edge of "Airplane!" (attitude seems to be the specialty of David Zucker, who has just released "The Naked Gun 2 1/2 "), it is consistently, almost exhaustingly hilarious.
  2. Those receptive to Godard's sense of humor will find Film Socialisme an elusive yet expansive provocation. Those less receptive will find it elusive, period.
  3. Roofman is predominantly a one-man showcase for the full range of Tatum’s talents, but the entire ensemble is crucial for any good caper.
  4. One of the strengths of The Illusionist: Everyone in it actually appears to be acting in the same era.
  5. The spookiest thing about Hotel Transylvania 2 is how much funnier, colorful and more original it is this second time around.
    • 68 Metascore
    • 75 Critic Score
    Engaging, intelligent and enjoyable.
  6. Zack and Miri has a bright, chipper look to it, thanks to cinematographer Dave Klein, a frequent Smith colleague. Wintertime in Pittsburgh never looked so good.
  7. Like the great, bittersweet Thomas Dyja account of Chicago's 20th century, "The Third Coast," Hogtown is hip to both the glories and the disgraces any great city can claim.
  8. It's the tales from Noll and his mates, now older and chubbier, that give heart to what otherwise could have faded into PBS special-land.
    • 64 Metascore
    • 75 Critic Score
    The film is more than a lesson about overcoming bigotry and ignorance. It's also just a beautifully animated romp through the world of Pooh as created by A.A. Milne.
  9. You could also say The Harder They Fall consists on a diet of flourishes.
  10. I'm not sure Edge of Tomorrow holds much repeat viewing potential among teenage movie consumers, since the movie's a self-repeating entity to begin with. But once is fun.
  11. Like his recent, elegant dance film "The Company," A Prairie Home Companion will appeal especially to those who are not story-dependent. Altman's sidewinding tribute to a surprisingly hardy 32-year-old public radio phenomenon is like a 105-minute putter in the garden, with a few songs and some jokes.
  12. It may not look like anything he's done before, but Inland Empire joins "Mulholland" and the whatzit "Lost Highway" (1997) to form the strangest show-business triptych around. All three concern artists whose identities demand more than one body. The films give new meaning to the phrase "dual citizenship."
  13. It is thought-provoking, to be sure, but does he finish the thought, or just provoke it?
  14. The movie's pretty light on matters of science. It works best as a study of human vulnerability and love's way with us all, and as such, a handsomely mounted, slightly hollow picture by the end becomes a very affecting one.
    • 73 Metascore
    • 75 Critic Score
    Doesn’t shy from heart-tugging opportunities, and there’s a five-minute cartoon embedded in the movie that should have been excised, but beyond those problems and some stylistic dead air, this is a compelling, thought-provoking portrait of a quiet challenge rising within America’s churches.
  15. Lean, mean and brutish, Nobody is best enjoyed as the juicy piece of pulp that it is. But Odenkirk, stepping into an action hero role for the first time, brings a sense of dolefulness and rue to this performance.
  16. Given the complexity of attitudes and the ambiguous take on the family represented in such Spielberg films as “E.T.'' and “Poltergeist,'' the bland affirmations of Jurassic Park seem platitudinous and insincere. He's forcing it here, and it shows. [11 June 1993, Friday, p.A]
    • Chicago Tribune
    • 49 Metascore
    • 75 Critic Score
    A tearily adorable canine valentine.
  17. The reason I like Miles Ahead, despite its problems, has everything to do with Cheadle both behind and in front of the camera.
  18. It may be a bit enigmatic and cerebral for some tastes, but if you don't mind your spirituality being served from a cracked chalice, you may find Touch is exactly what you've been seeking. [14 Feb 1997, p.G]
    • Chicago Tribune
  19. The movie--while it doesn't knock you out--doesn't self-destruct either. Besson may never rise to the level of his best American models here, but it's fun watching him try.
  20. A rich, vexing experience.
  21. Stoopid fun, From Paris With Love doesn't do much for Paris or love, or your brain cells, but it flies like a crazed eagle on uppers and comes from the talented, propulsive schlocketeer Pierre Morel.
  22. It may make true love look all too Hollywood-easy in the end, but en route it’s still a Celine Song film.
  23. For all the warmth emanating from the film's core, thanks to Broadbent and Sheen, I don't know if Leigh has ever made a crueler picture.
  24. As the title character — a professional gambler with a lot behind him, and not much impulse to dredge it up — Oscar Isaac makes for a magnetic sphinx indeed. His is not the only good performance. But it’s the crucial one.
  25. There's no denying that Undisputed delivers the action-movie goods, and so do Snipes and Rhames. It should have been more memorable, but at least it doesn't stumble in the ring.

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