Chicago Tribune's Scores

For 7,603 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7603 movie reviews
  1. One Crazy Horse staffer, also female, is asked on camera by a visiting journalist to define the cabaret's notion of eroticism. To "suggest," she says. To "seduce."
  2. Challenging to follow, at best.
  3. This latest in the ever-broadening Marvel movie landscape is fun. For an effects-laden franchise launch it's light on its feet, pretty stylish, worth seeing in Imax 3-D (for once, the up-charge is worth it) and full of tasty, classy performers enlivening the dull bits.
  4. This one’s good! Also supergory, merrily heartless in its body count and its methods of slaughter. And funny.
  5. A welcome surprise: a supernatural romantic comedy that works, graced with a cast just off-center enough to make it distinctive.
  6. The movie is full, assured and extremely wry.
  7. Blazes up constantly with a stunning, off-kilter brilliance, an incandescent force that sometimes explodes the space between us and the screen.
    • Chicago Tribune
  8. What you might not expect is how moving this whole story actually is. It’s not just the fun of figuring things out among this cast of colorful characters, rendered with a storybook look, it’s actually a tale about the importance of finding, and tending to, a flock.
  9. Though the final journey drags at times, the early expository scenes in the shadows of Saint Sophia and assorted mosques are impressive and quite moving.
  10. By the end we are left with a mildly amusing comedy and the lingering memory of a sterling cast that deserved better material.
    • Chicago Tribune
  11. Thanks to Echer, Nettelbeck and this delicious movie, I was able to hear "Country" and the other Jarrett tunes in scene after scene - heightening moods, lyricizing action and making Hamburg seem like a wintry love song. Predictable or not, that's often as good as it gets.
  12. It doesn't matter much that Phoenix and Witherspoon sound more like Phoenix and Witherspoon than Cash and Carter. The chemistry is there. The actors walk their own line, successfully.
  13. Six Degrees is the next best thing to a great play; a fantastically clever, verbally scintillating, consistently amusing one.
  14. A highly exciting, visually alive thriller.
  15. Wysocki is a genuine talent, as is Jacobs, but the subject of Terri remains a pleasant blur.
  16. Match Point is fantastic to look at, sharply dramatic and Allen is--who knew?--a master of suspense.
  17. Truly, Madly, Deeply, which takes on bereavement and regeneration, uneasily straddles the delicate line between the charming and the cloying. [24 May 1991, p.L]
    • Chicago Tribune
    • 72 Metascore
    • 75 Critic Score
    One fears, however, that not every uncomfortable scene was scripted, and that we have just been privy to some awfully private moments. It makes for uneasy viewing, sure, but it's one of the most compelling rides around.
  18. The film is a restrained, straightforward report about an iconoclastic family whose pain and dysfunction play out against a backdrop of tumbling ocean waves, muscular surfers and golden sunsets.
  19. In a time when American TV is full of stories of missing loved ones, Abduction keenly explores the reactions of an altogether different society and also examines the universal, excruciating pain suffered by such victims and their families everywhere.
  20. As a bonus, "Liquid" also includes eye-popping footage of the top surfers in the world (Taj Burrow, Laird Hamilton, Dave Kalama) -- wave riders who make the impossible look easy.
  21. Is the movie itself good? Half-good, I'd say - the second, more openly sentimental half.
  22. Robust safari movie, partly remade from "Red Dust," co-starring Ava Gardner and Grace Kelly. [23 Jun 2006, p.C2]
    • Chicago Tribune
  23. This movie might be better-maybe even a classic-if it were less urbane, if the New York tiger that Nicolas Cage and Richard Price unleashed could bare all his fangs, and not just fill the theater with his magnetic growl. Then Kiss of Death might really be a killer. [21 Apr 1995, p.C]
    • Chicago Tribune
  24. I've seen the fabulously acted Italian thriller The Double Hour twice now, and for all its intricate manipulations, it stays with me for a very simple reason: The love story at its bittersweet heart is played for keeps.
  25. The latest film version loosely adapting the Wells story exploits it both ways, subtly and crassly. It works, thanks largely to a riveting and fearsomely committed Elisabeth Moss mining writer-director Leigh Whannell’s stalker scenario for all sorts of psychological nuance.
  26. There’s real filmmaking here in The Batman. Matt Reeves, the director and co-writer, has a serious interest in the tantalizing Batman/Catwoman dynamic. His script, in collaboration with co-writer Peter Craig, parcels out the action sequences carefully, and when they arrive, they’re both visually lucid and excitingly reckless.
  27. The film is a fine reminder of how cinematic language can and should transcend the spoken word.
  28. Real Genius is packed with characters and jokes, easily containing three times as many attempts at humor as other summer comedies this year. Frequent moviegoers will appreciate the extra effort. [9 Aug 1985, p.A]
    • Chicago Tribune
  29. It is a fine and plaintive experience, more modern-day folklore than ethnographic study, and a wonderfully assured piece of cinema.

Top Trailers