Chicago Tribune's Scores

For 7,601 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7601 movie reviews
  1. Nearly everything that is right about Smooth Talk would have been impossible to obtain by conventional Hollywood film- manufacture. The film's appeal, including that of the performances, is in nuance and intermediate shades. That appeal is considerable, another reminder of the possibilities of the American independent film. [9 May 1986, p.43]
    • Chicago Tribune
  2. It's the film for which Albright painted a series of progressively decaying portraits of Dorian, climaxing in a ghastly vision of venereal rot and putrescence. [27 Feb 1997, p.11B]
    • Chicago Tribune
  3. A perfectly balanced blend of romance in exotic settings (shipboard, in Italy) and the trauma-drama of accident and heartbreak. [08 Aug 1999, p.23]
    • Chicago Tribune
  4. The movie is tightly packed with incident, maybe overpacked, but Saxon’s fairy tale is an intense, lived-in experience, its centuries-old folkloric atmosphere dotted with all the usual intrusive elements of progress.
  5. Lowery creates a spiritual cousin to Shakespeare’s Prince Hal, torn between taverns and common folk and his highborn destiny. There’s a lot here, either on the surface or bubbling beneath it. In its Christianity vs. paganism square-off, The Green Knight lands on a note (and an event) very different from the poem’s.
  6. The best material, however, keeps returning to the unstable power dynamic between Q-Tip and Dawg.
  7. What it all comes down to is the basic question: Is this just a movie for children? Not really. It's more a movie for the childlike--of any age. [02 July 1986, p.3C]
    • Chicago Tribune
  8. A film of great spiritual intensity and haunting minimalism that enlarges your concepts of movies and of life. Like the monks of the Carthusian order, it distills something intoxicating through a style that's pure and rigorous.
  9. Here's one of the strongest feature film debuts in a long time, in any genre.
  10. Ablaze with poetry and danger, and suffused with an odd kind of intellectual kitsch.
  11. It's a summit meeting between three brilliant leading men from three generations with three striking on-screen personas.
  12. For any of you who've ever daydreamed of playing hoops with Jordan, Michael Jordan to the Max is almost certainly the closest you'll ever get.
  13. Movies about reckless, chemically addled men rarely have the nerve to go whole hog with the bad behavior, because it makes for alienating company. Still: Blaze comes closer than most to an honest look at this sort of troubadour and this kind of life.
  14. Reynolds and Mendelsohn could not be more different actors, but in this pairing they are perfect.
  15. Chalamet is excellent, saving his purest acting for the killer final shot several minutes in length, when we finally see what these weeks with Oliver have meant to him.
  16. Mainly it’s a very solid dance picture, which is the point.
  17. There isn't a better time at the movies right now than Earth Girls Are Easy, a delirious pop musical directed by Julien Temple as a widescreen swirl of color and high spirits.
  18. Few directors are more adept at playing with all this anguish and exhilaration than Mike Nichols.
  19. If "Nightmare" was a jazzy pop number, "Bride" is a waltz--an elegant, deadly funny bit of macabre matrimony.
  20. Here's a funny, poignant oddball of a movie, existing on a galaxy far, far away from the likes of "Pacific Rim" or "World War Z" or anything whose computer-generated actions speak louder than words.
  21. The movie finds what solace it can in giving voice to those who escaped this church's grasp.
  22. A crackling good movie. [18 Dec 1992]
    • Chicago Tribune
  23. Vivid, assured and extremely suspenseful.
  24. This is an exceptional film about nearly unendurable circumstances, endured. You will come out the other side of it a markedly enriched filmgoer.
  25. Without exposition dumps or pressurized contrivance, Friedland reveals facets of Ruth’s life, scene by scene, in the 85 minutes of screen time.
  26. Ruthless People contains some of the biggest laughs of 1986.
  27. The poetry of Last Days has a stoned grandeur.
  28. It's a film for specialized tastes, quiet, delicate. But it suits those tastes beautifully.
    • 78 Metascore
    • 88 Critic Score
    Directing his first feature film, playwright David Mamet has accomplished the seemingly impossible: His dark and gripping House of Games is at once perfectly faithful to the world of his stage work and a fully realized piece of cinema.
    • Chicago Tribune
  29. The Sea isn't just brooding Scandinavian domestic tragedy, a lesser Bergman-Ibsen pastiche. It's also hilarious and rowdy, and it plays with our sympathies and expectations in such surprising ways, with such brilliant actors, it's easy to see why it won the equivalent of eight Icelandic Oscars.

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