Chicago Tribune's Scores

For 7,601 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7601 movie reviews
  1. A truly stupid film based on what should have been a surefire hit - a cross-country car race. Too many stars spoil the action, including Burt Reynolds, Dean Martin, and Sammy Davis Jr. [19 June 1981, p.2-8]
    • Chicago Tribune
  2. As a period ghost story, it’s pretty pallid.
  3. The movie's own brand of charm has its subset of smarm.
  4. Mind-numbing sequel to "Pokemon the First Movie."
  5. There may be better ways to waste your time than seeing this movie.
  6. Happily was begun as an old-fashioned 2-D "flat" cartoon and then switched by producer John Williams (of "Shrek") and director Paul J. Bolger to 3-D during production. The style finally is an uncomfortable amalgam of both.
  7. LaBeouf's quivering instability creates the impression that his performance is constantly buffering on us. He's never dull — he is, in fact, a compelling actor in any circumstance — but the material ends up cheapening the experiences of so many real-life veterans, which surely was not the filmmakers' intention.
  8. Contains too little of the original's campy spirit and too many whistles, bells, explosions and screams.
  9. This movie is crushingly ordinary in every way, which with Rand I wouldn't have thought possible.
  10. Feels about 150 years out of date.
    • 28 Metascore
    • 38 Critic Score
    Nobody expects every holiday film to ascend to classic status; in fact, we're happy to let most fade from memory as soon as the decorations are taken off the trees. We can, however, demand they live up to a certain level of fun, thereby allowing parents to watch along with their kids without plotting the most direct route to the exit.
  11. Pixels is a blast of energetic fun.
  12. An insubstantial addition to the cycle. It looks cheap and feels slapped together.
  13. This otherwise predictable romantic comedy does have several genuinely funny scenes, thanks to Monica Potter's comic delivery and charm.
    • Chicago Tribune
  14. Rosenbush strives for a difficult blend of spoof and sincerity with Zen Noir. In the spirit of rebirth, let's assume that the next time he makes it, it'll turn out fine.
  15. I've had the unique pleasure of reviewing almost all of Duff's movies, and if there's one thing to say about the girl, she's consistent: nice, sweet, blond, inoffensive and uninspiring.
  16. Nice to look at but too calculated and clichéd to resonate beyond its surface slickness.
    • Chicago Tribune
  17. Accomplishes something I would have thought impossible. It made me appreciate its 1994 predecessor, "The Flintstones."
    • Chicago Tribune
  18. The cinematic Garfield: The Movie feels like an 82-minute commercial for Garfield, The Brand rather than cinematic dumb fun.
  19. With its general spirit of tabloid scandalmongering and frequent cutaways to an oddly enhanced Melanie Griffith in scanty panties, the point of reference seems less Victorian fiction than Victoria's Secret.
  20. The Happytime Murders is a one-joke movie, minus one joke. The year may cough up a worse film, but probably not a more joyless, witless one, raunchy or otherwise.
  21. For years I've criticized Murphy for not working with the best directors or powerful female co-stars. But he does that here, and his movie is still a clunker. Relatives are listed in the credits; maybe he needs to stop trying to completely control the films he makes. Either that or it's time for another stand-up concert film. [27 Oct 1995, p.B]
    • Chicago Tribune
  22. Won't make your day, but it won't kill it either.
  23. I enjoyed these characters more when they were rich, rather than obscenely rich, when their self-involvement and life crises had one foot on planet Earth -- and when they weren't all gussied up like Mae West in "Sextette."
  24. It's not just the sound of crickets you hear watching this movie. It's the sound of dead crickets.
  25. Sometimes funny, often strained comedy.
  26. A real sentimental journey -- and luckily they've got both the right director (Darabont) and the right actor to squeeze our heartstrings.
    • Chicago Tribune
    • 27 Metascore
    • 25 Critic Score
    Therese's story would work better as a marionette show than on the big screen. The camera is best at picking up subtleties, and there are simply none here.
  27. Spears delivers a performance with the same sincerity she invests into a Pepsi commercial, only this film contains twice the sugary calories.
  28. The "Showgirls" of superhero movies. This is not a compliment. A vacuous lingerie show posing as feminism, it's the biggest movie hairball this side of "Garfield."

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