Chicago Tribune's Scores

For 7,601 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7601 movie reviews
  1. It's a genteel film with a gun in its pocket, but it's also a film with a universal chord of feeling that keeps welling up from the dark surfaces and violent byways of the plot-and a final confession that both warms the heart and chills the blood.
  2. From a terrible epidemic comes a beautiful documentary.
  3. Unstrung Heroes is an extremely moving and surprisingly funny love sonnet to family, tolerance and the joys of individuality.... One of the best films of the year. [15 Sep 1995]
    • Chicago Tribune
  4. It’s not perfect, but Anora is a touching comic and dramatic odyssey, driven by a terrific performance by Mikey Madison in the title role.
  5. Does Kaurismaki believe in his own fairy tale? The movie, a humble delight, suggests the answer is yes.
  6. I don't see how you can get away from calling Cage’s performance a great one. [10 November 1995, Friday, p.C]
    • Chicago Tribune
  7. A beautifully acted and deeply compassionate study of ordinary people coping with the vicissitudes of life.
  8. The film recalls Martin Scorsese's "Mean Streets" and the minimalism of films such as Lars Von Trier's "The Idiots." Eason and cinematographer Didier Gertsch keep the cameras tight on the actors' bodies and faces, creating palpable unease.
  9. Murphy isn't afraid to play with color and light and text and music, or to let her characters dance like no one is watching, and often. That energy, embodied in the filmmaking and in the performances, is what puts this coming-of-age film into a class all its own.
  10. Small but sure, the film is like Alejandro himself: quick on its feet, attuned to a harsh life’s hardships and possibilities.
  11. While Streep has a tiny bit too much fun with some of her character's excesses, she's awfully good. So is Hoffman, who walks a fine line between obvious guilt and possible innocence.
  12. A racily entertaining, wonderfully sly and goofy comic film noir with more twists than a mountain road-or, to darken the metaphor, than a cartrunk full of rattlesnakes.
  13. A gleefully gory, pitch-perfect parody of George Romero's zombie films. But this isn't a movie about other movies. Shaun of the Dead stands on its own.
  14. The movie is beautiful without wasting its time on cliched beauty. Kogonada, who edited as well as wrote and directed, collaborates intuitively with cinematographer Elisha Christian, who’s as good with faces as he is with sharp modernist edges etched in concrete.
  15. Wonderful spirit, humanity and humor.
  16. John Badham's exciting thriller about an L.A. detective (Roy Scheider) who battles against the government creeps who have created a monstrous helicopter to be used for 1984-style crowd control. Great action in a David-versus-Goliath story. [22 July 1983, p.10]
    • Chicago Tribune
  17. Rivets and amazes, even if it falls just frustratingly short of the mind-expanding grandeur it could have had.
  18. They're lifelike, I suppose, in that you believe and become invested in what happens to everyone. But they're poetic, too, in that Reichardt and her first-rate ensemble find intersections of the mundane and the mysterious all around this broad, blustery landscape.
  19. It may be the most serene and optimistic film Rivette has made in France. Yet even the art-house audience may undervalue it, miss the beauty, style and wit.
  20. Museo is the work of a genuinely creative directorial talent, and the early family scenes, richly detailed and shrewdly acted, provide just the right emotional context for this squabbling, indecisive gang of two.
  21. It's a beautifully proportioned, wonderfully complete movie.
  22. It's a clever premise that is fully realized with old songs, old TV performers and new ones, too. This could become as big a cult movie as Pee- wee's Big Adventure. It certainly is more entertaining than that film and even more fun than Grease.
  23. This is an inspirational true story worried less about turning dramatic screws than earning its feeling through character.
  24. In The Lion King, the savannas gleam and the meerkats swing. And when the animators click, their lions sing tonight. [24 June 1994, p.C]
    • Chicago Tribune
  25. The Forty-Year-Old-Version is that rarest of films: funny, wry, incisive, sexy and sincere.
  26. Hallstrom gives us a genial interpretation and a supremely good-humored film.
  27. What's remarkable as we watch Lilya's plunge (and the brief, false rays of light that illuminate it) is how real Moodysson makes her plight, how intensely he makes us empathize with Lilya.
  28. Much-loved 1942 piece of super-romantic schmaltz. [19 Jul 2005, p.C3]
    • Chicago Tribune
  29. Such a triumph of simplicity, subtlety and tact--and of the eroticism in words, looks and glances--that the actors ravish us with sheer talent and intelligence.
  30. So, yes, it’s an epic of sorts. But many years have passed since a Scorsese movie found so much life in such small moments: at a bowling alley, around a dinner table, at a telephone in the room next to the dining room, where a killer stumbles through a sympathy call to the wife of Jimmy Hoffa, missing presumed dead.

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