For 7,601 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
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| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,106 out of 7601
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Mixed: 1,473 out of 7601
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Negative: 1,022 out of 7601
7601
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Katie Walsh
It feels like any new ideas were jettisoned for the same old schtick. "Zombieland" may have helped to give birth to the zomb-aissance, but "Double Tap" just might be the kill shot.- Chicago Tribune
- Posted Oct 16, 2019
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Reviewed by
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- Chicago Tribune
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- Chicago Tribune
- Posted Oct 27, 2016
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Reviewed by
Michael Wilmington
One hopes that this is Hollywood's last go-round with Swept Away. Watching this fiasco, I kept having nightmares about a possible cartoon version, co-starring Cruella de Vil and Shrek.- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Phillips
After the insufferably dense mermaid mythology of "Lady in the Water," Shyamalan clearly wanted to keep things simple. He whizzed straight past "simple" to simplistic.- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Phillips
Seven Pounds has a heart as big as all outdoors. Unfortunately it's made out of high-fructose bull.- Chicago Tribune
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Reviewed by
Johanna Steinmetz
As directed by Robert Mulligan, the stately pace here feels sluggish and the music is no elegiac Pachelbel's "Canon" but a medley of dreadful cocktail lounge piano and swooning strings. [21 Oct 1988, p.G]- Chicago Tribune
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Reviewed by
Mark Caro
This is one of those would-be blockbusters that wants to have it both ways: It includes enough political commentary to have pretensions of seriousness, yet it's engineered to satisfy the explosion cravings of Schwarzenegger action fans, if any are left.- Chicago Tribune
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- Critic Score
Horror movies don't have to make sense in the real world, but when you have to help their internal logic along this much, it's pretty much a cue for heckling -- or checking your watch.- Chicago Tribune
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Reviewed by
Michael Phillips
The most excellent and lamentable tragedy Romeo and Juliet has been turned into a film that is lamentable without the "excellent" part.- Chicago Tribune
- Posted Oct 10, 2013
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Reviewed by
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Reviewed by
Michael Phillips
Not even Smith's charisma can mitigate the chaos that is Hancock.- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Phillips
Freshman Orientation is not incompetently made. Nor is it badly acted. But there’s not a fresh idea in it, and everyone on screen seems to be in a different comedy.- Chicago Tribune
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Reviewed by
Gene Siskel
Director Zalman King has literally created a bad B-movie here, photographing breasts, buttocks and bubbleheads. The film is erotic until its first coupling; that's when we realize these dullard characters might as well be mannequins. Two Moon Junction deserves a genre all its own: very soft-core porn. [6 May 1988, p.A]- Chicago Tribune
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Reviewed by
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- Chicago Tribune
- Posted Nov 26, 2013
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- Critic Score
If you are at all squeamish about incest and/or prefer sex scenes without violent undertones, you should avoid this movie.- Chicago Tribune
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Reviewed by
Allison Benedikt
There's really just not a lot here. I'm sure Racer's story will entertain the very wee ones -- but so do keys.- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Phillips
When Jason Sudeikis and Ed Helms appear in the same movie there's a significant threat of clean-cut sameness. Mediocre material makes them like two halves of the same comic actor: Ed Jason Helms-Sudeikis.- Chicago Tribune
- Posted Aug 6, 2013
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- Critic Score
The worst part of the night isn't the Aqua Net hair or the sweaty '80s dancing. Murder is the theme of the evening.- Chicago Tribune
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Reviewed by
Michael Phillips
Schreiber and Stiles are good actors, and they're actually acting, if not to any actual avail. In the silliest recasting, a comically exaggerated Mia Farrow takes over for steely Billie Whitelaw in the evil nanny role.- Chicago Tribune
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Reviewed by
Michael Phillips
Dempsey's pleasant enough, but he hasn't yet learned how to play against a mediocre script's obviousness. Monaghan has, which is gratifying.- Chicago Tribune
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Reviewed by
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Reviewed by
Michael Phillips
A coming-of-ager that nearly slaughters you by minute 30 with the relentlessness of its protagonist's voiceovers.- Chicago Tribune
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Reviewed by
Michael Phillips
If a movie doesn’t care enough about its selling points, aka the stars, to give them decent lines more than twice per hour, the “bad” in “Bad Boys” ends up being the wrong kind of bad. And, in a truly sad way, its own review.- Chicago Tribune
- Posted Jun 4, 2024
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Reviewed by
Allison Benedikt
I guess there's something progressive going on when a lesbian love story gets to be just as dreadful and tacky as most straight ones.- Chicago Tribune
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Reviewed by
Michael Phillips
Calling Dredd 3D a movie is sort of a lie. It's a premise, and there are levels to reach, and always there's another grimy hallway to stalk, and then you turn right or left, and then kill some more.- Chicago Tribune
- Posted Sep 20, 2012
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Reviewed by
Michael Phillips
Knock at the Cabin is a real load — 100 lugubrious minutes of what is intended as steadily mounting dread and apocalypse prevention seminar.- Chicago Tribune
- Posted Feb 1, 2023
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Reviewed by
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Reviewed by
Michael Phillips
Levinson has written and directed in many genres. But rarely has he made a film as indecisive and diffident as Man of the Year.- Chicago Tribune
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Reviewed by
Mark Caro
Stiller, a DodgeBall producer, is revealing an unfortunate craving for the cheese of his childhood.- Chicago Tribune
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Reviewed by
Gene Siskel
A truly stupid film based on what should have been a surefire hit - a cross-country car race. Too many stars spoil the action, including Burt Reynolds, Dean Martin, and Sammy Davis Jr. [19 June 1981, p.2-8]- Chicago Tribune
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Reviewed by
Allison Benedikt
With such a bang-up cast, this setup could at least elicit some tears, but in its 107 minutes, nary a one welled up in my eyes.- Chicago Tribune
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Reviewed by