Chicago Tribune's Scores

For 7,601 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7601 movie reviews
  1. Shipp nails the energetic, motor-mouthed cadence of the outspoken Shakur. But the film surrounding Shipp is rough going.
  2. Recycled French farce isn't a bad thing, but do they really like all those pratfalls?
    • Chicago Tribune
  3. Purports to be literate film noir but comes off more like the overwritten project of a film school kid who just memorized his textbook on the style.
  4. Beautiful, horrifying, exasperating and just plain weird.
  5. Although his is not a perfect film, Tollin employs his soap-opera dialogue and aim-for-the-solar-plexus message quite unapologetically.
  6. Unfortunately, No Escape can't stay 10 steps ahead of its misguided politics and overly dramatic storytelling and crumbles under its own preposterous climactic denouement.
    • 38 Metascore
    • 38 Critic Score
    A thin, largely unfunny comedy that marries lazy filmmaking with bad timing.
  7. For an hour The Rite, as scripted by Michael Petroni, delivers the expected, but with panache.
  8. Despite greater resources and high-tech whiz bang than the first movie, has a lot more turkey than dinner.
  9. It's a middling film that wastes a lot of good opportunities, as well as two fine, charming co-stars.
  10. You can take the director out of television, but sometimes you can't take television out of the director. Although Garry Marshall has been making movies for longer than he spent creating such series as "The Odd Couple," "Happy Days" and "Laverne and Shirley," his work retains the scent of the small screen.
  11. Captures a breathtaking exotic landscape cluttered only by the smugness of its characters.
    • 38 Metascore
    • 63 Critic Score
    At its best, The Seeker is a pretty vivid fantasy book come-to-life; it does a decent, passable job of adding to the canon of kid-lit flicks.
    • 38 Metascore
    • 38 Critic Score
    This lazy sequel is a lump of coal in a dirty stocking.
    • 38 Metascore
    • 38 Critic Score
    Noisy, cut into a head-snapping blur with little room for Cena to even try showing emotion, 12 Rounds is an occasionally exciting but always empty experience.
  12. What the Bleep Do We Know? is both modern science for dummies and a feisty extension of our ongoing religious debate.
  13. The sequel is a disappointing step down, and backward.
  14. It’s an unabashed feel-good weeper, and those eager for that type of fare might as well settle for this one. But an equal number will be put off by the bad dialogue, transparent manipulation and saccharine overkill.
  15. Girl Most Likely goes a little bit wrong in nearly every scene, its stridently quirky characters never quite making sense together in the same universe, let alone the same movie.
  16. Looks sleek and moves efficiently, but there's nothing too distinctive under the hood.
  17. Doesn't know how to do what I think it's trying to do.
  18. The slapstick is awful; the pathos isn't much better, though it's far more plentiful.
  19. The naval equivalent of "Top Gun," focusing on the elite corps of warriors who in this tale must destroy American missiles that have fallen into the hands of Arab terrorists. The boys play together and then fight together. It's all a party. Some of the sequences play like music videos.
  20. The film works very well, providing lots of laughs, in its first half, setting up the Bill Murray character and his callousness. For a Christmas Eve special he wants to staple antlers on a mouse. [25 Nov 1988, p.A]
    • Chicago Tribune
  21. It was the adult in me that wept when the movie ended. Take the kid and have a good time.
  22. Almost nothing new to offer -- despite its good actors, flashy visuals and well-textured New York gloss and grit. But there are teasing hints of another, better movie buried inside somewhere.
  23. A dark comedy that blows up like an exploding cigar, leaving nothing much behind but smoke, noise and a bad taste.
  24. Though the Thornberrys provide some much-needed energy, asking them to carry the movie is like expecting a sweeps-week celebrity cameo to make an entire 30-minute sitcom episode funny.
  25. A magic-meets-macho cop movie that's more gimmick than actual movie.
  26. This Pink Panther really doesn't have to achieve the heights of the original; it just has to be funny on its own terms. But it pales there too. Kline, a master of comic hypocrisy, deserves more screen time, Emily Mortimer is wasted as Clouseau's adoring assistant Nicole and Knowles is over indulged as Xania.

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