Chicago Tribune's Scores

For 7,603 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7603 movie reviews
  1. The actors and writing lend unexpected dimension to all of the characters, and Lopez's Harry is an indelible antagonist, one who manages to be genuinely big-hearted and evil.
    • Chicago Tribune
  2. The film is surprisingly easy to sit through, digest and even enjoy. Why? A lot has to do with Hogan's well-documented charisma as a performer.
    • Chicago Tribune
  3. You'll find heartbreakingly star-crossed lovers, a heartless villain (Wilson) and a dazzling backdrop of aristocratic life before and after the Russian Revolution.
  4. Lightweight but likable and blessedly free of the posing and pretensions that mark the Hollywood crop of twentysomething coming-of-age films.
  5. Bad decision after bad decision occurs over 93 minutes.
    • Chicago Tribune
  6. All Center of the World has is the double entendre of its title, some unremarkable dramatic and sex scenes, and some embarrassing moments for its very game co-stars.
    • Chicago Tribune
  7. Though this film shows flashes of the electric writer Mamet was to become, Lakeboat is mostly distant thunder over choppy waters.
    • Chicago Tribune
  8. Reminiscent of classic old Westerns.
    • Chicago Tribune
  9. The Zellweger-Firth-Grant triangle works as irresistibly as Hepburn-Grant-Stewart in "The Philadelphia Story."
    • Chicago Tribune
  10. Panahi's simplicity accentuates the movie's power: its sense of life caught unobserved.
  11. For all its promise of lively trailer-park humor, Joe Dirt digs, then lies in its own grave, killed by blah characters, lame jokes and cliches you can see coming a mile away.
  12. It’s a big, frothy, high-tech, cutesy-poo musical comedy.
  13. A hit and miss proposition, with an abundance of laughs and emotional highlights to help brighten the dimly lit corners of cliche-mongering.
  14. A point is being made about how a criminal creates his own myth, but the ways Read twists and embellishes the truth become progressively less interesting.
    • Chicago Tribune
  15. It's a real disappointment: too hasty, too scattered and superficial, and, in the end, disappointingly sappy and sentimental.
    • Chicago Tribune
  16. Freeman gives his overwrought, over-familiar scenes an unlikely shot of intelligence and dignity that cuts through the formulas and almost makes them work.
  17. That it is a pseudo-hip filmmaking fantasy doesn't make it any less pretentious, or any less a turnoff.
    • Chicago Tribune
  18. Announces the arrival of an undeniable talent (Meshkini) that has come of age.
  19. Recycled French farce isn't a bad thing, but do they really like all those pratfalls?
    • Chicago Tribune
  20. This predictable, uninspired third installment to the endless saga won't win over non-believers.
  21. Succeeds as a paean to movies and movie-watching.
  22. Farmanara, a gifted director, seems to be getting his artistic legs again, but he spends far too much time following his protagonist in and out of buildings as he smokes cigarettes and otherwise mopes about.
  23. Like a Bach toccata or a frosty drink on a sunlit veranda, a first-class movie spy thriller can offer one of life's cooler, more elegant treats. The Tailor of Panama fits that category.
  24. A stunner: a fiercely brilliant film of such wrenching impact, nonstop drive and unpredictability that watching it becomes an exhilarating ride.
  25. A throwback to the family films of the 1970s, like one of Disney's goofy capers crossed with "Willy Wonka and the Chocolate Factory."
  26. Just a schlock romance pumped with testosterone.
    • Chicago Tribune
  27. Soft and predictable -- which might be OK if there were more laughs and insight.
    • Chicago Tribune
  28. No revelation, but it’s a more honorable, interesting effort than many of the crass, dopey recent big-studio schlockfests like "Say It Isn’t So" or "Tomcats" that tell similar coming-of-age tales.
  29. Overall, The Brothers is glossy fun, but it should have given us more ideas and energy.
    • Chicago Tribune
  30. Heartbreakers itself is something of a con game: an expensive imitation of older, better films from older, often better times.
    • Chicago Tribune

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