Chicago Tribune's Scores

For 7,603 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7603 movie reviews
  1. This is a violent film. It's rougher, in fact, than "The Hunger Games."
  2. Though not originally produced with streaming in mind, Finch absolutely feels like it was designed by algorithm.
  3. A true story, feel-good parable and a respectable, uplifting descendent of "To Sir, With Love" and "Lean On Me."
  4. Although Joffe appears to be making a Brighton version of the seductively natty evil we find stateside in "Boardwalk Empire," this Brighton Rock remains muffled, half-formed pulp fiction.
    • 57 Metascore
    • 75 Critic Score
    What it lacks in narrative ambition, it makes up for in dazzling choreography.
  5. The story lines don't intersect in that schematic, "Crash"-y way, which is refreshing. Less refreshing is the neat-and-tidiness of the individual exchanges in Sam Catlin's script.
  6. The finished product feels tonally indistinct and plays as a bit of a grind.
  7. Outlandish weddings aren't much of a satiric target, but Confetti isn't really going for satire; mild-mannered japes are more its style.
  8. The results aren't gothic and bloody, as they were in the Lauren Bacall film "The Fan," or elegant and ironic as in the Bette Davis classic "All About Eve"--though the plot suggests a bit of both.
  9. If the romantic comedy Morning Glory clicks with audiences, the McAdams factor surely will be the reason why.
  10. Traveller is a low-key, intelligent examination of some fascinating people who must do plenty of fast talking just to survive. [25 Apr 1997]
    • Chicago Tribune
    • 57 Metascore
    • 75 Critic Score
    A smart, witty, sexy take on the perils of becoming an adult.
  11. It's a corker of a story - a polished yarn full of desire, desperation and despair.
  12. It's a movie that starts off nicely, offers two marvelous performances (by James Coburn and Mick Jagger) and then slowly, unaccountably loses itself.
  13. Wind is a vigorous and colorful piece of filmmaking that never quite shakes free of an embarrassingly trite, formulaic screenplay. [11 Sep 1992, p.H]
    • Chicago Tribune
  14. Last Chance Harvey is what it is: a pleasant put-up job, held up by world-class pros.
  15. Cleverly structured, Horrible Bosses works in spite of its cruder, scrotum-centric instincts.
  16. The movie struggles to turn the story into a paradoxical easygoing thriller, befitting the age bracket of its key ensemble members.
  17. It is Field's bursting, big-eyed American-ness - a commodity she has carefully banked since her days as TV's "Gidget" - that generates the film's lurid fascination. [11 Jan 1991, p.K]
    • Chicago Tribune
  18. A romantic comedy/social satire that, on a modest budget, manages to be hip, charming, funny and dressed to kill.
  19. Novie lovers will want more of Winger and more Redford, both separately and together. If they had more scenes, their romance might seem more credible, rather than being simply the movie convention of ''star loves star.'' It`s a close call on Legal Eagles. It`s not a total waste of time.
  20. For any of you who've ever daydreamed of playing hoops with Jordan, Michael Jordan to the Max is almost certainly the closest you'll ever get.
  21. The film, like its lovers, is fond, giddy and poetic about love and death.
  22. As is often the case in Loach's films, all the acting is exemplary. Padilla, who learned English only shortly before making the film, is a natural actress, a smoldering presence.
    • Chicago Tribune
  23. The movie looks like far more than a million dollars and it offers the kind of smart, picaresque good time you get from books like "The Reivers" and "Huckleberry Finn" and movies like "Bronco Billy" and "Bonnie and Clyde."
  24. Unlike the intrigue and winding switchback of moral mysteries that defined "L.A. Confidential," Dark Blue travels on flat, predictable terrain.
    • 57 Metascore
    • 50 Critic Score
    Ambitious but clumsy, it's a movie to appreciate rather than to be engaged by.
  25. It's Complicated isn’t: It’s pretty simple. It’s simply a good time.
  26. A movie that must spend most of its running time explaining its hopelessly complicated premises, which leaves very little room for anything much to happen. [22 Nov 1989, p.C1]
    • Chicago Tribune
  27. There's something off in its scenes of Arterton's romantically unlucky loner showing up at Arthur's home, in the rain, distraught. If the movie weren't so determined to placate, you'd think you're in for a daring exploration of an affair between a 30-something emotional cripple and a 70-something sexy beast, unchained at last.

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