For 7,603 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
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| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,107 out of 7603
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Mixed: 1,474 out of 7603
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Negative: 1,022 out of 7603
7603
movie
reviews
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Reviewed by
Michael Phillips
The film, a handsome nerve-jangler co-produced under the storied Hammer horror banner, amps up the scares without turning them into something completely stupid. Success!- Chicago Tribune
- Posted Feb 2, 2012
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- Critic Score
The movie has an avalanche of eye-popping visual effects, including a bustling Santa's village, nifty "Jimmy Neutron"-type gadgets and "Stars Wars"-like igloo walking robots - and, of course, the requisite heartwarming happy ending.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Michael Wilmington
As beautiful as all the film's technology is, it needs more real human beings around - to pull the switches, man the pumps and scuttle through those corridors.- Chicago Tribune
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Allison Benedikt
After bravely lampooning an institution so many consider beyond reproach, Saved! chickens out, imparting its most direct and lasting message in its disappointing conclusion: Don't Offend. Amen.- Chicago Tribune
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Robert K. Elder
Sky High doesn't aim for the highbrow and doesn't employ lowbrow toilet humor. Instead, it hits the exact middle -- a bull's-eye worthy of a superhero.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Gene Siskel
Credit for the triumph of this picture must go to West German director Uli Edel, who works on a canvas as large as Sergio Leone's Once Upon a Time in America. [11 May 1990, p.C]- Chicago Tribune
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Reviewed by
Michael Phillips
As in last year's "Bridesmaids," an authentic, dimensional human element animates the jokes and the characters with whom we spend a couple of highly satisfying hours.- Chicago Tribune
- Posted Apr 26, 2012
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Michael Phillips
In a rom-com, there's no rom without the com. Hart and Hall give it their all.- Chicago Tribune
- Posted Feb 13, 2014
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Dave Kehr
The film is sober, serious-minded and paced like a funeral march.- Chicago Tribune
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Michael Phillips
Director Jason Orley (”Big Time Adolescence”) handles it all well enough. It’s Day and Slate who make the very best of it.- Chicago Tribune
- Posted Feb 10, 2022
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Michael Phillips
For me, the mechanics or even the (excellent) designs are not enough. Jeunet's archness keeps conventional empathy or engagement at bay, and by design maintains a tone of artificiality.- Chicago Tribune
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Reviewed by
John Petrakis
If you are offended by jokes about sex, sex organs, sex, bodily functions, sex, the L.A. riots or sex, you should probably stay far away. But if you're up to the challenge, you should find Fear of a Black Hat to be a clever piece of work-a nasty satire with savvy and sass. [17 Jun 1994, p.J]- Chicago Tribune
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Sid Smith
Fright Night is pleasantly, if effortlessly, well-acted and gently scripted. And when the ghoulish special effects and wry comedy aren't on screen, there's the occasional in-joke for viewer distraction. [06 Aug 1985, p.4C]- Chicago Tribune
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Michael Phillips
It’s the junky, janky mid-winter Liam Neeson thriller we used to get with that first flip of the calendar, only this one stars Gerard Butler, and is directed by Jean-Francois Richet, whose two-part gangster biopic “Mesrine” was pretty juicy. This one’s more pulp than juice, but it’s enjoyable.- Chicago Tribune
- Posted Jan 11, 2023
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Michael Wilmington
Director Suri Krishnamma, depends on Finney for its power. His great performance carries the film over its shallow spots, its wish fulfillment, its pull toward caricature. [03 Feb 1995]- Chicago Tribune
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Michael Phillips
Davis is reason No. 1 the film extracted from Kathryn Stockett's 2009 best-seller improves on its source material.- Chicago Tribune
- Posted Aug 9, 2011
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Dave Kehr
It's a light, slight premise that seems more suited to a Saturday Night Live sketch than a full-length movie, but it plays pleasantly enough in its video incarnation, where modesty sometimes can be a virtue.- Chicago Tribune
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Sid Smith
Girls do rock, and the final concert is both wild and cathartic. Too bad we haven’t learned more about these rockers along the way.- Chicago Tribune
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Michael Wilmington
In the third story, set in Asheville, N.C., that excellent actress Hunt guides us steadily through what could be a minefield of sentimentality.- Chicago Tribune
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Katie Walsh
It's simply a treat to watch Sandberg's style on display in Annabelle: Creation, filled with circling dolly shots that reveal and conceal evil in torturously teasing ways, effective narrative use of practical lighting for dramatic effect, and heart-pounding sound effects and a score of screaming strings.- Chicago Tribune
- Posted Aug 10, 2017
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Michael Phillips
The film may be slight, but it is not stupid, and director Robert Cary keeps both stickiness and shtickiness at bay.- Chicago Tribune
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- Chicago Tribune
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- Critic Score
The wedding site at the end of the road offers beautiful vistas overlooking Brazil, but it's hardly worth the trip.- Chicago Tribune
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Reviewed by
Dave Kehr
If the movie has a weakness, it's an over-reliance on Bond-style car chases and mass action scenes, which take away from the much richer and more original character comedy. But Mankiewicz's basic instincts seem admirable. He knows that a movie begins with people, and that`s a very good start.- Chicago Tribune
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Michael Wilmington
Ashley Judd as Agnes White, and a relative newcomer, the remarkable Michael Shannon, as Peter Evans. They're both spellbinding.- Chicago Tribune
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Michael Wilmington
Kazan does have his father's fierce erotic curiosity, that sense that once you unravel a story's real lusts and greeds, you've solved it.- Chicago Tribune
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Patrick Z. McGavin
Wong Kar-wai made a much more dynamic film, "Happy Together," five years ago. Lan Yu suffers by comparison.- Chicago Tribune
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John Petrakis
This is the debut feature for Columbia College graduate Gilio, and it shows great promise.- Chicago Tribune
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