For 7,601 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,106 out of 7601
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Mixed: 1,473 out of 7601
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Negative: 1,022 out of 7601
7601
movie
reviews
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Reviewed by
Michael Phillips
Turns out to be every bit as deft, witty and, yes, moving as the first one.- Chicago Tribune
- Posted Jan 11, 2018
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Reviewed by
Dave Kehr
It may not be a transcendent masterpiece of the Disney canon, but The Little Mermaid is still very heartening: It suggests the Disney magic isn't lost after all.- Chicago Tribune
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Reviewed by
Michael Phillips
A tart, brilliantly acted fable of life’s little cosmic difficulties, a Coen brothers comedy with a darker philosophical outlook than “No Country for Old Men” but with a script rich in verbal wit.- Chicago Tribune
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Reviewed by
Michael Phillips
The movie's excellence, a stylistic world apart from the strikingly photographed but rather hysterical 1967 film version of Capote's masterwork, is in capturing its subject without pinning him down.- Chicago Tribune
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Reviewed by
Michael Phillips
Mordant in the extreme, and often hilarious, The Death of Stalin somehow manages to acknowledge the murderous depths of Josef Stalin’s regime while rising to the level of incisive, even invigorating political satire.- Chicago Tribune
- Posted Mar 15, 2018
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- Chicago Tribune
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Reviewed by
Michael Phillips
It’s beautiful work, and not just because it’s beautiful.- Chicago Tribune
- Posted Feb 29, 2024
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Reviewed by
Michael Phillips
The filmmaker's documentary training pays off in detail after detail.- Chicago Tribune
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Reviewed by
Michael Phillips
For a while it’s engaging but pretty thin. Then it gets more interesting, especially for the actors.- Chicago Tribune
- Posted Nov 16, 2017
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Reviewed by
Michael Phillips
One of Anderson's cleverest and most gorgeous movies, dipping just enough of a toe in the real world — and in the melancholy works of its acknowledged inspiration, the late Austrian writer Stefan Zweig — to prevent the whole thing from floating off into the ether of minor whimsy.- Chicago Tribune
- Posted Mar 13, 2014
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Reviewed by
Michael Phillips
I love it, not simply because I love Chekhov or because I've loved so much of Ceylan's earlier work. I love it because the director, having come into his own as a master international filmmaker years ago, gives us so much to see and think about, so many astringent observations about life's compromises and longings.- Chicago Tribune
- Posted Jan 3, 2015
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Reviewed by
Katie Walsh
Cooper knows he has an audience willing to listen, and what he says is so beautifully, powerfully open-hearted, vulnerable and loving it's overwhelming.- Chicago Tribune
- Posted Oct 4, 2018
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Reviewed by
Michael Phillips
The film works, whatever your ethical stance on Snowden, because it's more procedural than polemic.- Chicago Tribune
- Posted Oct 30, 2014
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Michael Wilmington
One of the most remarkable and moving love stories the movies have recently given us.- Chicago Tribune
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- Critic Score
Director Thomas Kail’s filmed version of the blockbuster musical Hamilton, available Friday on the Disney Plus streaming service, surely is the greatest translation, democratization and preservation of any Broadway show, ever.- Chicago Tribune
- Posted Jun 30, 2020
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Reviewed by
Michael Phillips
Mafioso is shaped like a comedy, and it is one, but its intentionally jarring clashes of tone and rhythm are truly out there.- Chicago Tribune
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Michael Wilmington
Of all the movies that try to take us into the mind and viewpoint of a child, Carol Reed's 1948 The Fallen Idol, adapted by Graham Greene from his short story, is one of the most ingenious.- Chicago Tribune
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Reviewed by
Michael Phillips
This is the second feature from Maoz; his first, the superb “Lebanon” (2009), is one of the essential war pictures of the young century. Foxtrot qualifies as a war film as well, and as in all such pictures made by, and for, grown-ups, the psychic battles are no less intense than the literal carnage.- Chicago Tribune
- Posted Mar 22, 2018
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Reviewed by
Michael Phillips
Matt Damon narrates, and I do wish the narration didn't end on such a generalized, throw-the-bums-out note, over footage of the Statue of Liberty.- Chicago Tribune
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Reviewed by
Michael Wilmington
A bizarre, thrilling, warmly funny spoof of the WWII Steve McQueen prison camp thriller, "The Great Escape" remade for a near all-chicken cast.- Chicago Tribune
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Reviewed by
Robert K. Elder
With 20 additional minutes of screen time, the director's cut of Richard Kelly's genre-splicing "Donnie Darko" offers new viewers a second chance to discover his mind-bending masterwork.- Chicago Tribune
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Reviewed by
Michael Phillips
The actors, predictably, are superb in roles shaped by screenwriter David Seidler, and directed by Tom Hooper. Yet they are unpredictably superb as well.- Chicago Tribune
- Posted Dec 17, 2010
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Reviewed by
Gene Siskel
The fans of their best work -- "Blood Simple, "Raising Arizona," "Barton Fink" -- now can add Fargo to the list, pushing the Coens to the first rank of contemporary American filmmakers. [8 March 1996, Friday, p.B]- Chicago Tribune
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Reviewed by
Michael Phillips
What the movie has, above all, is a dramatic line, clean and straight. In its faces, its scenery and its plain satisfactions it makes us feel like we've been somewhere, when we get to the end of that line.- Chicago Tribune
- Posted Aug 11, 2016
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Reviewed by
Michael Phillips
Some of the comic inventions are inspired: Muntz has a pack of dogs equipped with electronic voice boxes, which means they're talking dogs, only they speak as if they've learned English from a poorly translated Berlitz guide.- Chicago Tribune
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Reviewed by
Michael Wilmington
Curtiz holds you in his master grip, creating one of those WW II-era California noirs that keeps swinging you from darkness to sunlight, love to hatred, happiness to the pits of despair and death. [18 Nov 2005, p.C6]- Chicago Tribune
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Reviewed by
Katie Walsh
This film may be fantastical, outré, at times bizarre, and sexually frank. But ultimately, Poor Things is a traditional heroine’s journey forging its own singular path. That Bella achieves a fully embodied sense of personal liberation makes it a truly radical — and feminist — fairy tale.- Chicago Tribune
- Posted Dec 8, 2023
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Reviewed by
Michael Wilmington
Few films have caught the special feel and rhythms of childhood so well, with such uncondescending warmth and humor. And few bring out more powerfully the themes of anti-racism and the virtues and joys of community and family. [20 Apr 2007, p.C5]- Chicago Tribune
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Reviewed by
Michael Phillips
Braga isn't quite the whole show in Aquarius, but she's certainly a lot of it.- Chicago Tribune
- Posted Oct 20, 2016
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Reviewed by
Gene Siskel
So what we have in the middle of Back to the Future, this seeming kids' movie full of screeching cars, special effects and lightning storms, is nothing less than an adult reverie. And if families could be persuaded to see this film together, it might touch off a long night of sharing between parents and children. [03 July 1985]- Chicago Tribune
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