Daedalic Entertainment once again proved that they know how to make a point' n' click adventure game. What sets Deponia apart from their earlier work is tons of humour strongly influenced by The Secret of Monkey Island and Discworld. [10/2012, p.63]

A really good choice for a gaming evening both with kids and adults. The solo gameplay is somewhat pleasurable but nothing beats cooperation. [06/2020, p.71]

The Raven’s story needs time to accelerate, but when it did, it left me waiting for the next episode. [CD-Action 10/2013, p.58]

Unpretentious and very enjoyable game of rolling a drop of mercury through increasingly complex levels. [November 2011, p.83]

Combat gives you a decent array of options but unfortunately it rarely poses any challenge. The optimization is abysmal and while it does not make the game unplayable, the situation is still unacceptable. Despite that I can recommend this title to everyone who seeks a solid turn-based RPG. The developers put a lot of effort into creating a vivid world and tell a lot of minor stories, many of your decisions matter and in some aspects Expedition: Viking reminds me of classic Fallouts. [06/2017, p.70]

A decent Zelda-like game which needs some time to really get going and won’t dazzle you with its beauty. [09/2017, p.73]

Even if the The Turing Test sometimes wanders into the realm of clichés in terms of both gameplay and the story, the developers tackled the subject of artificial intelligence really well and created an engaging game. [11/2016, p.50]

If it weren’t for the excellent Toy Box mode, the rating would be much lower, because provided adventures are disappointing. [11/2013, p.74]

Insurmountable suffers from the “pretty syndrome”. Pretty nice graphics. Pretty good music. Pretty cool idea. Pretty solid execution. And pretty much no emotions. [07/2021, p.34]

It was made with true passion but at the moment it’s unpolished and unbalanced. The ambitions of Julian Gollop and his crew were clearly bigger than the game’s budget. [02/2020, p.38]

A tactical game in the vein of Commandos (but with active pause), rather ugly, schematic and a bit too easy, but despite all enjoyable. [11/2015, p.59]

King's Bounty is still very enjoyable and addictive but it's hard not to notice that the series keeps running round in circles. [CD-Action 13/2012, p.64]

SteamWorld Build will not push you up against the wall and leave you shaken like Frostpunk or grip you for hundreds of hours like Anno. Its ambitions are smaller, but it’s a beautiful, easy-to-digest and highly polished little simulation that will keep you captivated from the beginning to the slightly hollow end.

A solid game that ticks off everything on the things-you-need-to-have-in-a-twin-stick-shooter list. Doesn't stand out from the crowd though. [October, p.80]

Nippon Ichi tried to develop a game that would appeal to a wider audience but made it too complicated and therefore wearisome. [02/2014, p.70]

It’s a shame that the developers didn’t use the time gap between PS4 and PC versions to polish the latter. [02/2016, p.43]

I’m not saying you need to play Milkmaid, but if you enjoy traditional point’n’click games and pixel art, you definitely can give it a chance. [03/2017, p.64]

In comparison to rather modest predecessors Zombie Army 4 is a true giant. Such that sometimes all of its splendour gets a bit tiresome. [03/2020, p.66]

What looks like a straightforward side-scrolling shooter with some platforming elements quickly turns out to be a rich (tons of items and upgrades!) and highly addictive roguelite. [10/2020, p.75]

Wattam reminds me of Chuchel and is the cutest game I have played in recent years. I love its absurd sense of humor, simple puzzles, adorable dancing and farting creatures, and the way music corresponds with the funny on-screen chaos. The game is rather short and doesn’t play too well with a controller, but other than that it is pure fun. [03/2021, p.52]

Pac-Man World Re-PAC is a faithful remake of the 1999 platformer with all the strengths and weaknesses of the original (the former prevail). It’s a fun game with enjoyable graphics and almost no violence at all, so it’s a good choice for kids. However, grown-ups will enjoy it too, especially if they are nostalgic for Pac-Man.

The journey through Unmechanical's underground complex is an engaging and enriching experience. [10/2012, p.66]

A poorly animated, unbalanced game that I didn’t enjoy at all. Although it does offer a lot of different punches, kicks and throws, its gameplay resembles a long, boring QTE. [13/2013, p.74]

After RE6 I was convinced that there’s no hope for the series. Luckily there are still people in Capcom who try to preserve Resident Evil’s unique personality as a survival horror where every bullet and every dodge count. Revelations is the best Resident Evil in years. [CD-Action 07/2013, p.58]

The first F.E.A.R. was scary and good. The second one was scary-ish and good-ish. The third one is... well, indistinct. F.E.A.R. 3 is a generic shooter devoid of atmosphere, built correctly step by step but lacking any quality that could prevent you from forgetting this game. [August 2011, p.52]

An interesting mix of a stealth game and a point’n’click adventure, set in the Wild West. As a six-year-old boy, you have to cleverly use the environment to escape from bandits and find out what happened to your mother. Enemy AI could be better and some minor technical issues spoiled the fun a bit, but every puzzle in the game can be solved in many ways, and that’s something I always welcome with open arms. El Hijo is a fairly easy but satisfying game that you can play with your kid, as there’s not a drop of blood here. [02/2021, p.40]

Brilliant visuals, great music and unusual user interface will score points with people who like games that have a soul despite being very complex. However, to reach a broader audience, the developers would have to significantly improve the transparency of gameplay mechanics and iron out rough edges. [10/2021, p.40]

While it starts exceptionally strong, towards the end the game gets boring and the finale seems as creative as something I myself could have written in ten minutes. [04/2020, p.52]