The concept of an experimental, interactive music album was great, and the fact that musicians associated with Epica, Within Temptation, Kamelot or Asking Alexandria were involved, was very promising and impressive. Unfortunately, the game turned out to be an amateurish mess. The whole gameplay is very poorly executed, the story is cheap and approaches difficult subjects without a trace of finesse, and the voice acting is simply horrible. The worst part is, the music is okay at best. [08/2021, p.54]

I had an impression that the developers intentionally butchered Tony Hawk’s classic formula in every way imaginable. For the last couple of years Activision has been trying hard to finish this series off and it seems it finally succeeded. [12/2015, p.58]

It seems someone forgot to develop a game before publishing it, because MTUS lacks content so desperately that it looks like a mini game from Mario Party. [02/2016, p.63]

This game is a joke, and not a funny one. The Lord of the Rings: Gollum is shockingly ugly, awfully designed and annoying in its many inconsistencies. Let’s just forget this happened.

You spend your petrol on 30 seconds of racing and then wait a couple of hours for your tank to be refilled. “No Limits”? Is the title supposed to be a joke? [12/2015, p.74]

I can’t believe the studio behind Project CARS and Need for Speed: Shift developed such an atrocity. I guess this is what happens when you’re assigned a laughably tight budget, have to spend half of it on voice acting by movie stars, and the publisher wants the game to imitate a triple AAA title. [10/2020, p.93]

Potentia tries to mimic The Last of Us but stumbles all the way through its 90-minute long campaign plagued by a weak story, awful dialogues, amateurish voice acting and horrible enemy AI. [05/2021, p.66]

Kingpin: Reloaded is a laughable version of the cult shooter from the 90s. The developers worked over three years on it and managed to botch pretty much everything there was to botch. Simply put, it’s one of the worst remakes ever made and it deserves cement shoes.

Abandon all hope, ye who enter the Investigator’s main menu. Everything I get paid for this review will be invested in liquor to help me forget about this game. [08/2016, p.66]

To keep thing short and sweet – Postal III is a bad game. [March 2012, p.52]

A poor, ugly PC port of a weak PSP game. [08/2015, p.67]

The developer’s slogan – ‘We make games that are fun’ – turned out to be far too enthusiastic. [01/2015, p.77]

I honestly don’t know why someone thought Shaq Fu needs to be reborn and how the word “legend” fits the picture. [08/2018, p.86]

An awfully boring, repetitive and uninspired game that does absolutely nothing to show PS4’s capabilities but a lot to ruin your day. [01/2014, p.66]

Sedna simply does not understand games from which it supposedly draws. [06/2018, p.77]

People who gave us the excellent Slender: The Eight Pages suddenly ceased to understand what makes a good horror. [CD-Action 06/2013, p.69]

I suspect that if I took the ridiculous money needed to buy Raven’s Cry and instead spent it on a crate of pins, chewed them all up, swallowed them, followed up with salt, washed everything down with lemon juice and then excreted, I would have as much fun as I had in the Caribbeans by Reality Pump. [04/2015, p.52]

I’m not sure what I’m dealing with here. Is Hate Wave an exercise in Unreal Engine done after two weeks of watching tutorials on YouTube? It does seem that way, so why does someone want me to pay for it? [11/2020, p.77]

Taxi Chaos is a shameless copy of Crazy Taxi, soulless and developed by people who lacked not only creativity and skill, but also the understanding of what made the original great. [05/2021, p.67]

I admit I was fooled by the marketing campaign and hoped for an indie survival horror gem. Stray Souls turned out to be a nightmare but for completely different reasons than I expected. It’s an extremely poor game that should have never seen the light of day and I’m flabbergasted that no one – neither the developers nor the publisher nor the investors – said THAT’S ENOUGH at some point.

After a couple of hours spent with Fellowship of Evil I deleted my account on Steam, sold my PC, ran away into the woods and never came back. And when I came back I was still screaming. [01/2016, p.62]

Touch controls are worse than on Nintendo DS, the game looks bad, works bad and generally is bad. [11/2015, p.64]

Square Enix’s terrible, extremely boring version of Triple Town. [11/2015, p.66]

WayForward once again proved that it simply can’t stop being hopeless. [01/2015, p.57]

What a prophetic title. Since the first announcement 5 years ago Ride to Hell has come a long way just to reach the hell of deserved mockery and low scores. Stay clear of this game as if it was a puddle of oil on the highway. [CD-Action 09/2013, p.54]

Clearly some people think that it's enough to hop on the indie bandwagon to make a buck. Don't waste your time on Colour Bind. [12/2012, p.88]

The game is pretty much as bad as a game can be, so the title is spot on. [09/2018, p.49]

I can’t imagine why anyone would play this terrible game and I can’t understand why Gaiman wanted to be associated with it. [Sept 2014, p.63]