Boxoffice Magazine's Scores
- Movies
For 985 reviews, this publication has graded:
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51% higher than the average critic
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2% same as the average critic
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47% lower than the average critic
On average, this publication grades 4.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Sita Sings the Blues | |
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| Lowest review score: | Date Night |
Score distribution:
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Positive: 389 out of 985
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Mixed: 513 out of 985
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Negative: 83 out of 985
985
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Pete Hammond
A highly entertaining and richly human movie experience with a gem of a performance from Jenna Fischer.- Boxoffice Magazine
- Posted Jul 18, 2011
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Reviewed by
Sara Maria Vizcarrondo
A visually rough retreading of Superbad territory with a slightly more treacherous journey, The Virginity Hit has a surprisingly softer ethical edge than you'd expect.- Boxoffice Magazine
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Reviewed by
Ed Schied
Jeon received the Best Actress at Cannes for her wrenching performance. She's the first Korean to receive an acting award at this Festival.- Boxoffice Magazine
- Posted Dec 28, 2010
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Reviewed by
Pete Hammond
For those looking for the rare romantic youth drama without vampyric overtones or other gimmicks, Remember Me should satisfy and it works as a much-needed change of pace for the talented Pattinson who remains one of the most watchable of our young stars.- Boxoffice Magazine
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Reviewed by
Mark Keizer
The film’s warmth and heart comes from introducing us to someone born to do exactly what she’s doing.- Boxoffice Magazine
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Reviewed by
Sara Maria Vizcarrondo
Formally, everything's in order-it's an attractive film with some ingenious action sequences-but the problems overwhelm the pleasures, leading to the conclusion that this film's trouble is under the hood.- Boxoffice Magazine
- Posted Jun 21, 2011
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Reviewed by
Ed Schied
Documents the development of a crime lord from his beginnings in petty childhood activities. Fresh details enliven a conventional story arc. This absorbing view of urban decay has the potential to draw audiences beyond the arthouse.- Boxoffice Magazine
- Posted Jul 1, 2011
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Reviewed by
Mark Keizer
At 74 tough and tragic minutes, though, Kimjongilia is not destined for monetary glory. The waiting arms of public television are the more likely destination.- Boxoffice Magazine
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Reviewed by
Sara Maria Vizcarrondo
Italian audiences are bound to like it and the broadness of plot and appeal suggests casual fans of foreign film should, too.- Boxoffice Magazine
- Posted Apr 29, 2011
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Reviewed by
Pam Grady
Good Neighbors' greatest strength is that even when the plot becomes too obvious and the thriller aspects fall apart, it can always wrestle a laugh out of you.- Boxoffice Magazine
- Posted Jul 29, 2011
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Reviewed by
Sara Maria Vizcarrondo
Such a story is made to be colored in jumbo crayon, and at first you might long for a more nuanced approach, but this film was produced in the 1940's serial style that's made Lucas Films enormous.- Boxoffice Magazine
- Posted Jan 20, 2012
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Reviewed by
Pam Grady
Writer/director Chris Ordal's debut feature is not a documentary nor is it precisely a biopic. Instead the drama captures the artist at a pivotal moment in time.- Boxoffice Magazine
- Posted Apr 29, 2011
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Reviewed by
Mark Keizer
To say the movie is understated is an understatement, yet it’s justified.- Boxoffice Magazine
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Reviewed by
Sara Maria Vizcarrondo
It's a wonderfully moving meditation on the capacity of animals to inspire our imaginations and something applicable to educational markets as well as regular documentary audiences.- Boxoffice Magazine
- Posted Feb 2, 2011
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Reviewed by
Steve Ramos
Hobo is trash cinema through and through and gives fans everything they want from a drive-in throwback. That's something that doesn't happen often.- Boxoffice Magazine
- Posted May 2, 2011
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Reviewed by
Richard Mowe
Just when many may have thought that Cold War thrillers had gone out of fashion, along comes one to reinvigorate the genre.- Boxoffice Magazine
- Posted Aug 30, 2011
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Reviewed by
Sara Maria Vizcarrondo
A film about how outwardly alienating our circles are (much to the detriment of our careers) and how caustic our supposedly nurturing intimacies can be at the same time.- Boxoffice Magazine
- Posted May 18, 2012
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Reviewed by
Amy Nicholson
Like James in the ring, it doesn't pack a lot of power, but it comes out swinging and sweats for applause.- Boxoffice Magazine
- Posted Oct 11, 2012
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Reviewed by
Sara Maria Vizcarrondo
Though the film is a fairly plastic British period piece with all the intimacy of a Hitachi Wand, the script captures some delicate and intelligent facets of a tensely conflicted era.- Boxoffice Magazine
- Posted May 12, 2012
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Reviewed by
Richard Mowe
Actress and director Maïwenn Le Besco (a.k.a. Maïwenn) confounds expectations by drawing together a heart-thumping patchwork of dramas and emotions.- Boxoffice Magazine
- Posted May 12, 2012
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Reviewed by
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- Boxoffice Magazine
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- Critic Score
Unsurprisingly, the strongest moments of the film are musical.- Boxoffice Magazine
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Reviewed by
John P. McCarthy
There's nothing more irritating than a piece that strains to be kooky and eccentric, yet one reason The Living Wake ultimately gets to you is that O'Connell is not trying too hard.- Boxoffice Magazine
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- Boxoffice Magazine
- Posted Aug 11, 2012
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Reviewed by
Mark Keizer
The blistering tunes and unique animation compensate for the rather unconvincing central love story that works best as a Forrest Gump-ian device to highlight some legendary real-life musicians.- Boxoffice Magazine
- Posted Feb 3, 2012
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Reviewed by
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Reviewed by
Richard Mowe
Piccoli in a role that relies on looks, gestures and very few words, does not hit an off note, making him into a silent, everyman figure.- Boxoffice Magazine
- Posted Apr 3, 2012
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Reviewed by
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- Boxoffice Magazine
- Posted Sep 14, 2011
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Reviewed by
Richard Mowe
That sense of mischief and pleasure in the craft makes Bellamy a thoroughly intriguing and likeable experience. From Chabrol we would expect nothing less.- Boxoffice Magazine
- Posted Dec 9, 2010
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Reviewed by
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- Critic Score
Some may say giving Mr. Killen screen time equals a bully pulpit, that it would be reckless and cheapen the heartfelt message. To the filmmakers credit they offered generous portions from both sides.- Boxoffice Magazine
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- Critic Score
The movie, largely improvised and totally believable, is often very funny, and the glimpses of life inside what remains a very repressive regime are fascinating, but in the final analysis, despite a fairly grim denouement, there's little here you haven't already seen in Hollywood flicks like "Singles."- Boxoffice Magazine
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