Boxoffice Magazine's Scores

  • Movies
For 985 reviews, this publication has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this publication grades 4.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Sita Sings the Blues
Lowest review score: 0 Date Night
Score distribution:
  1. Negative: 83 out of 985
985 movie reviews
  1. A kind of Ealing Comedy throwback that is arguably her best film since Beckham.
  2. The romantic fable of love, marriage, art and second chances may not add up to all that much but the journey is exquisite.
  3. Like "Anvil," this is a crowd-pleasing triumph of the spirit, framed around a story so bizarre it sounds like an urban legend.
  4. One of the summer's great escapes - no mean feat in a year that has attempted, but failed, to provide fun, mindless, movie fare.
  5. It may be the most glaringly, if unintentionally, personal film that Zhang has made since 1994's "To Live."
  6. Premium Rush has a rewarding relentlessness and a payoff that suggests that whirring city that surrounds us in is full of supporters who see past the system.
    • 79 Metascore
    • 60 Critic Score
    Ang Lee's adaptation of Yann Martel's mega-selling novel Life Of Pi is technically adept, mildly engaging and thematically pedantic.
  7. Fails to completely satisfy, thanks to problems with the script that neither director nor stars can overcome.
  8. The twists and turns in The Double Hour are not arbitrary; rather, they are well considered and effective, right down to the last frame.
  9. It is the boy's tough exterior and lack of self-pity that binds the narrative together, making this one of the Dardennes' most appealing undertakings.
  10. Call it Prosthetic Flipper, but the truly inspiring Dolphin Tale is perfect family entertainment.
  11. So Watching TV is less a story loosely bound by cause and effect than a kind of scrapbook of memories, all of which convey the concerns of being super smart and mostly confused in a culturally mixed Manhattan, circa 1980. The affection is sweet and precise, if even the terms we use to define them aren't.
  12. Instead of a topic documentary, If a Tree Falls becomes the personal story of a well-intentioned man whose passion for the environment leads to serious consequences.
  13. Severe and unflinching, The Whistleblower relies on journalistic realism to pack its punch.
  14. This film is only for those with strong constitutions and a penchant for painstaking details.
  15. The Thompsons have a tough task to explain all the machinations in the film's first half but once the scene is set it unravels in an entertaining way, jumping forward a year--but always with flashbacks to that infamous dinner party.
  16. A true crime tale with added layers of intrigue and atmosphere.
    • 65 Metascore
    • 60 Critic Score
    Circumstance demonstrates raw talent and a taste for big ideas.
  17. The shadow of Whitney Houston's stardom and crushing recent death hang heavy over this midrange movie that promises its female audience at least three good cries during its somewhat overlong run time.
  18. Silly and not nearly scary enough, this does not rank as grade-A Romero, but the story unfolds efficiently and economically and it provides plenty of laughs.
  19. Serves as both a sequel and a prequel, and the team Oren Peli has assembled deserves credit for beefing up and rounding out his original narrative without letting it mutate into something unrecognizable.
  20. A competent period costume drama, this intimate character study is light as air - and probably more suited to Masterpiece Theatre than as a major theatrical release.
  21. If this film is nothing else (and it may be nothing else) it's funny and (ironically) fundamentally true. What certainly isn't true is what it purports to be, which is a legitimate course of study that analyzes the historic, international, socio-cultural, economic and psychological relationships between individuals, governments and corporations through the prism of physics and what has been loosely called metaphysics.
  22. Programming the Nation is a lo-fi, issues-driven documentary carried along by the strength of its ideas rather than its artless desktop aesthetic.
  23. Director Douglas McGrath's empathy rescues it from the brink of disaster porn - it's so good-hearted and optimistic that a swath of stressed out moms will feel the flick speaks directly to them, which it does.
    • 80 Metascore
    • 60 Critic Score
    Alternately beguiling and actively irritating, Frammartino's second feature is too uneven to recommend whole-heartedly, but contains so many individually fascinating movies that attention should be paid.
  24. Gordon is bit too good looking to really be the Greg Heffley the books detail, but he's not obnoxious in the role and will appeal to the target 'tween set.
  25. A dark and brooding story that only gets more disturbing over the course its 152 minute runtime.
  26. It is America's oldest and most prestigious high school science competition. Over two thousand students begin each year vying for slots; 40 are chosen as finalist. For high school science and math geeks this is a big deal.
  27. (Holmes) fails to deliver requisite laughs to keep the comedy afloat.

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