Boxoffice Magazine's Scores
- Movies
For 985 reviews, this publication has graded:
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51% higher than the average critic
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2% same as the average critic
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47% lower than the average critic
On average, this publication grades 4.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 61
| Highest review score: | Sita Sings the Blues | |
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| Lowest review score: | Date Night |
Score distribution:
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Positive: 389 out of 985
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Mixed: 513 out of 985
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Negative: 83 out of 985
985
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Wade Major
A kind of Ealing Comedy throwback that is arguably her best film since Beckham.- Boxoffice Magazine
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Reviewed by
Richard Mowe
The romantic fable of love, marriage, art and second chances may not add up to all that much but the journey is exquisite.- Boxoffice Magazine
- Posted Mar 7, 2011
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Reviewed by
Ray Greene
Like "Anvil," this is a crowd-pleasing triumph of the spirit, framed around a story so bizarre it sounds like an urban legend.- Boxoffice Magazine
- Posted Jun 26, 2012
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Pete Hammond
One of the summer's great escapes - no mean feat in a year that has attempted, but failed, to provide fun, mindless, movie fare.- Boxoffice Magazine
- Posted Aug 22, 2012
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Reviewed by
Wade Major
It may be the most glaringly, if unintentionally, personal film that Zhang has made since 1994's "To Live."- Boxoffice Magazine
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Sara Maria Vizcarrondo
Premium Rush has a rewarding relentlessness and a payoff that suggests that whirring city that surrounds us in is full of supporters who see past the system.- Boxoffice Magazine
- Posted Aug 22, 2012
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- Critic Score
Ang Lee's adaptation of Yann Martel's mega-selling novel Life Of Pi is technically adept, mildly engaging and thematically pedantic.- Boxoffice Magazine
- Posted Sep 30, 2012
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Reviewed by
Pam Grady
Fails to completely satisfy, thanks to problems with the script that neither director nor stars can overcome.- Boxoffice Magazine
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Reviewed by
Tim Cogshell
The twists and turns in The Double Hour are not arbitrary; rather, they are well considered and effective, right down to the last frame.- Boxoffice Magazine
- Posted Apr 12, 2011
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Reviewed by
Richard Mowe
It is the boy's tough exterior and lack of self-pity that binds the narrative together, making this one of the Dardennes' most appealing undertakings.- Boxoffice Magazine
- Posted Mar 12, 2012
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Pete Hammond
Call it Prosthetic Flipper, but the truly inspiring Dolphin Tale is perfect family entertainment.- Boxoffice Magazine
- Posted Sep 20, 2011
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Sara Maria Vizcarrondo
So Watching TV is less a story loosely bound by cause and effect than a kind of scrapbook of memories, all of which convey the concerns of being super smart and mostly confused in a culturally mixed Manhattan, circa 1980. The affection is sweet and precise, if even the terms we use to define them aren't.- Boxoffice Magazine
- Posted Jan 29, 2012
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Steve Ramos
Instead of a topic documentary, If a Tree Falls becomes the personal story of a well-intentioned man whose passion for the environment leads to serious consequences.- Boxoffice Magazine
- Posted Jun 18, 2011
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Reviewed by
Barbara Goslawski
Severe and unflinching, The Whistleblower relies on journalistic realism to pack its punch.- Boxoffice Magazine
- Posted Jul 31, 2011
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Reviewed by
Richard Mowe
This film is only for those with strong constitutions and a penchant for painstaking details.- Boxoffice Magazine
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Reviewed by
Richard Mowe
The Thompsons have a tough task to explain all the machinations in the film's first half but once the scene is set it unravels in an entertaining way, jumping forward a year--but always with flashbacks to that infamous dinner party.- Boxoffice Magazine
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- Boxoffice Magazine
- Posted Jul 18, 2012
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- Boxoffice Magazine
- Posted Aug 29, 2011
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Reviewed by
Sara Maria Vizcarrondo
The shadow of Whitney Houston's stardom and crushing recent death hang heavy over this midrange movie that promises its female audience at least three good cries during its somewhat overlong run time.- Boxoffice Magazine
- Posted Aug 16, 2012
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Reviewed by
Pam Grady
Silly and not nearly scary enough, this does not rank as grade-A Romero, but the story unfolds efficiently and economically and it provides plenty of laughs.- Boxoffice Magazine
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John P. McCarthy
Serves as both a sequel and a prequel, and the team Oren Peli has assembled deserves credit for beefing up and rounding out his original narrative without letting it mutate into something unrecognizable.- Boxoffice Magazine
- Posted Oct 23, 2010
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Reviewed by
Pete Hammond
A competent period costume drama, this intimate character study is light as air - and probably more suited to Masterpiece Theatre than as a major theatrical release.- Boxoffice Magazine
- Posted Dec 4, 2012
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Tim Cogshell
If this film is nothing else (and it may be nothing else) it's funny and (ironically) fundamentally true. What certainly isn't true is what it purports to be, which is a legitimate course of study that analyzes the historic, international, socio-cultural, economic and psychological relationships between individuals, governments and corporations through the prism of physics and what has been loosely called metaphysics.- Boxoffice Magazine
- Posted Oct 20, 2010
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Reviewed by
Ray Greene
Programming the Nation is a lo-fi, issues-driven documentary carried along by the strength of its ideas rather than its artless desktop aesthetic.- Boxoffice Magazine
- Posted Aug 19, 2011
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Reviewed by
Amy Nicholson
Director Douglas McGrath's empathy rescues it from the brink of disaster porn - it's so good-hearted and optimistic that a swath of stressed out moms will feel the flick speaks directly to them, which it does.- Boxoffice Magazine
- Posted Sep 13, 2011
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Alternately beguiling and actively irritating, Frammartino's second feature is too uneven to recommend whole-heartedly, but contains so many individually fascinating movies that attention should be paid.- Boxoffice Magazine
- Posted Mar 27, 2011
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Reviewed by
Pete Hammond
Gordon is bit too good looking to really be the Greg Heffley the books detail, but he's not obnoxious in the role and will appeal to the target 'tween set.- Boxoffice Magazine
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Reviewed by
Tim Cogshell
A dark and brooding story that only gets more disturbing over the course its 152 minute runtime.- Boxoffice Magazine
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Reviewed by
Tim Cogshell
It is America's oldest and most prestigious high school science competition. Over two thousand students begin each year vying for slots; 40 are chosen as finalist. For high school science and math geeks this is a big deal.- Boxoffice Magazine
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Reviewed by
Steve Ramos
(Holmes) fails to deliver requisite laughs to keep the comedy afloat.- Boxoffice Magazine
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