Boston Herald's Scores

  • TV
For 1,146 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 3 points lower than other critics. (0-100 point scale)
Average TV Show review score: 64
Highest review score: 100 My Brilliant Friend: Season 1
Lowest review score: 0 One Tree Hill: Season 1
Score distribution:
  1. Mixed: 0 out of 628
  2. Negative: 0 out of 628
628 tv reviews
  1. I wanted to check out the moment Dorothy Gale was waterboarded.
  2. Some of Knightfall’s CGI action, at least in the cut the network offered to critics, is ambitious but unconvincing. When the show settles the swordplay to push plot around, Knightfall rises to far-fetched.
  3. Finally you get the sense that Meryl Streep's daughter is coming into her own as an actress and even a lead. But Emily needs a script doc, stat.
  4. In this eight-episode, hourlong show, instead of Lauren Conrad, we get Katie, who is about as interesting as a McDonald’s salad.
  5. [Host John Cena is] smart and he’s funny when he goes off-script. He gives American Grit its shot at glory.
  6. So many flashbacks for a murder mystery that is not remotely compelling.
  7. The search for love has never seemed more like a lost cause.
  8. With “Family Guy’s” Seth MacFarlane serving as an executive producer, you know what you are in for--rude and crude jokes.... What’s unexpected is how much Bordertown resembles “All in the Family.”
  9. The men are neanderthals, the women are the sitcom cliche peacemakers.
  10. TBS has concocted a show once considered to be unimaginable: A college comedy so badly written, acted and executed, so deficit in any jokes or diversions that even a stoner wouldn't be able to enjoy it.
  11. Feed the Beast manages to be both overheated and undercooked. Stock up on antacid.
  12. Ransom needs some stirring. Ex-cop Zara Hallam (Nazneen Contractor, “Heroes Reborn”) rounds out the team, and she gets little to do in this hour, a crime one can only hope will be rectified in future episodes.
  13. This is not an easy show to watch, not because of its ambition, but because it’s just so pointlessly mysterious.
  14. The show flexes its political correctness so hard, it forgets the most important part of TV drama is showing, not telling. That changes, for a few moments next week, when Ashley and Kristen are arrested and suffer far different ordeals from a booking officer. It’s a welcome rarity, and proof Ball can craft compelling drama, when he chooses to. Most of the characters on Here and Now self-medicate. You might feel the same urge after spending some time with this fractured family.
  15. Cross brings to this six-episode season all the intensity of “Luther” with some deeper questions about personal responsibility in the face of overwhelming disaster.
  16. There’s comparatively little tension, action or dialogue in Mother, but there sure is a lot of girl-on-girl writhing.
  17. Wilson, who writes and serves as co-­executive producer, brings a sense of innocence to the sometimes ribald shenanigans.
  18. We’ve spent so much time on mundane love affairs, the nature of the resistance remains an enigma. The Dovekeepers spins history until everyone seems a bit dizzy.
  19. Say what you want about WB's late teen soap "Dawson's Creek," but even the worst episode was infinitely better than the network's dreadful One Tree Hill. [23 Sept 2003, p.46]
    • Boston Herald
  20. Idris Elba is a star. The least his TV show can do is reflect that.
  21. Despite all of TLC's crafty maneuvering, this is a family that likes to laugh with each other. The rest doesn't seem to matter.
  22. The alleged comedy follows this blended family's attempts to get along. The laugh track works harder than anyone here.
  23. It's disappointing this animated series is so tame.
  24. APB never settles its own version of its existential dilemma: man or machine? It argues for both. But as this uninspiring drama proves, sometimes when you split the difference, you end up with nothing.
  25. The humor is crude and risque and often at the expense of Indian culture. I could have lived without the defecation jokes. To be fair, the writers don't give America a pass.
  26. Russian Dolls reinforces every negative stereotype about Russian women.
  27. NBC, together with Academy Award-winning producer Brian Grazer ("A Beautiful Mind"), tries to duplicate the success of AMC's "Mad Men" but cribs the wrong details with a woefully untalented cast, mixed feminist messages and a melodrama that is at times laugh-out-loud funny.
  28. Their escapist capers make for pretty but mindless TV. [5 Oct 2003, p.47]
    • Boston Herald
  29. Shahs of Sunset, which plays like a cross between "Jersey Shore" with an older cast and "The Real Housewives of Oblivion."
  30. Sit through TNT’s “The Hero” and 72 Hours and REELZ’s “Race to the Scene” back-to-back, you realize how much the genre lives on the tired bone marrow of “Survivor” and "The Amazing Race."

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