Boston Globe's Scores

For 7,964 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7964 movie reviews
    • 78 Metascore
    • 75 Reviewed by
      Ty Burr
    More than anything else, Oldboy recalls Alfred Hitchcock with all restraint tossed to the wind, or Hitchcock's most obsessed devotee, Brian De Palma, at his most nastily inspired.
  1. The movie will please those looking for easy physical comedy.
  2. If only Miller's writing had some human zest. Nearly everybody here is crunchy, salt-of-the-earth organic, and off in a dreamland.
  3. Gabizon never establishes a consistent tone or point of view. Instead, we hop from one episode to the next, with no momentum and no reason to care about these people.
  4. The laughless outtakes for ''Armed and Fabulous" helpfully remind us that it could have been worse.
  5. The movie feels incomplete and uncentered. It's like a grand magazine profile that's all reportage and absolutely no prose.
  6. A feel-good but inane Disney production.
  7. Scares up few chills.
  8. Doesn't entirely work.
    • 64 Metascore
    • 75 Reviewed by
      Ty Burr
    True to its title, Schizo is both gripped by the past and pulled toward an unknown future.
    • 66 Metascore
    • 75 Reviewed by
      Ty Burr
    Boys of all ages, by contrast, will be mesmerized by the relentless, breathtakingly visualized action.
    • 48 Metascore
    • 63 Reviewed by
      Ty Burr
    Shakhnazarov's film effortlessly captures the times and the author's conflicted yet unyielding attitude, yet it never draws any conclusions -- the film remains under glass.
    • 44 Metascore
    • 50 Reviewed by
      Ty Burr
    It's a B-flick all the way, but it has no pretensions to the contrary, and that's some kind of refreshing.
  9. Isn't as trippy, scary, handmade-looking, or environmentally aware as some of Miyazaki's pictures. But it shares their dreaminess. Even at its most ingenious, not even Pixar does that.
  10. It's the men in ''Upside" who speak all the truth.
    • 74 Metascore
    • 75 Reviewed by
      Ty Burr
    You really don't need to borrow someone else's kids to ponder and enjoy what Millions has to offer.
    • 44 Metascore
    • 50 Reviewed by
      Ty Burr
    At its best when Anna confronts her tangled Afrikaaner legacy and when it brings the heretical notion of forgiveness up front, where a non-African audience can come to grips with it.
  11. But this film, with its many cliches and borrowed substitutes for creativity, suggests his (Schroder) career in the boxing arena might have peaked with ''The Champ."
  12. Highly unoriginal tale.
    • 59 Metascore
    • 63 Reviewed by
      Ty Burr
    A paranoid male fantasy about cheating, with surface similarities to Hollywood movies like ''Fatal Attraction" and ''Unfaithful." This one's Italian, though, and its attitude toward adultery is more European.
  13. A deplorable piece of cynicism whose only point of interest is Gael Garcia Bernal's accent
    • 68 Metascore
    • 88 Reviewed by
      Ty Burr
    Rambles without apparent purpose, and yet it blooms in emotional impact as it goes.
  14. Barely any of it is funny, and if a minute of it is meant in mockery, few of the darts ever find the board.
    • 44 Metascore
    • 50 Reviewed by
      Ty Burr
    The acting makes the difference, and in Jacket it rises above the needs of the material.
    • 30 Metascore
    • 38 Reviewed by
      Ty Burr
    JUST worth your children's time, and hardly worth yours.
    • 63 Metascore
    • 75 Reviewed by
      Ty Burr
    The movie's still shameless; the difference is you don't mind.
  15. Works purely as a series of complex snapshots of the conflict in Iraq.
  16. A delightful road movie.
    • 65 Metascore
    • 75 Reviewed by
      Ty Burr
    There’s something happening here and it isn’t exactly clear. What is clear is that Eytan Fox may yet make a great film for the 21st century.
  17. A fine film of few words and very little motion.

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