Boston Globe's Scores

For 7,945 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 0.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7945 movie reviews
    • 53 Metascore
    • 75 Reviewed by
      Ty Burr
    What makes Palindromes bearable is that Solondz has yet to come up with an answer.
  1. In the end, the thing that Cussler's fans will probably object to most is the nonsensical way Sahara manhandles his story.
  2. Effortlessly entertaining romantic comedy.
    • 78 Metascore
    • 75 Reviewed by
      Ty Burr
    Like a meal prepared by an extreme chef, ''Hustle" is more than a bit of a mess. It still tastes like nothing you've ever had before.
  3. The explicit encounters and dirty talk in Eating Out suggest a new genre -- call it porncom -- that seeks to amuse and arouse at the same time.
  4. Ultimately undercut by its fictional elements and its flat characters.
    • 58 Metascore
    • 88 Reviewed by
      Ty Burr
    Stylish and only superficially superficial, Happily Ever After plunks us down with three male friends as they dance on the edge of their 40s.
  5. Expanded, Major Dundee is still a mess of great scenes sprinkled among some fairly monotonous action.
    • 74 Metascore
    • 88 Reviewed by
      Ty Burr
    Tarantino may have nicked the title first, but this is the real ''Pulp Fiction," with all the drama and the dead ends that implies.
  6. Brown lays out his guiding philosophy up front when he says of the Baja, ''This isn't about a race, it's about the human race."
    • 72 Metascore
    • 63 Reviewed by
      Ty Burr
    Takes your angriest thoughts about urban public transportation and magnifies them into a grubby and rousingly antisocial fantasia on post-communist breakdown and bureaucracy.
  7. A marvelous, uncommonly observant, and unexpectedly rousing group portrait.
    • 53 Metascore
    • 63 Reviewed by
      Ty Burr
    Formulaic but extremely good-natured comedy.
    • 78 Metascore
    • 75 Reviewed by
      Ty Burr
    More than anything else, Oldboy recalls Alfred Hitchcock with all restraint tossed to the wind, or Hitchcock's most obsessed devotee, Brian De Palma, at his most nastily inspired.
  8. The movie will please those looking for easy physical comedy.
  9. If only Miller's writing had some human zest. Nearly everybody here is crunchy, salt-of-the-earth organic, and off in a dreamland.
  10. Gabizon never establishes a consistent tone or point of view. Instead, we hop from one episode to the next, with no momentum and no reason to care about these people.
  11. The laughless outtakes for ''Armed and Fabulous" helpfully remind us that it could have been worse.
  12. The movie feels incomplete and uncentered. It's like a grand magazine profile that's all reportage and absolutely no prose.
  13. A feel-good but inane Disney production.
  14. Scares up few chills.
  15. Doesn't entirely work.
    • 64 Metascore
    • 75 Reviewed by
      Ty Burr
    True to its title, Schizo is both gripped by the past and pulled toward an unknown future.
    • 66 Metascore
    • 75 Reviewed by
      Ty Burr
    Boys of all ages, by contrast, will be mesmerized by the relentless, breathtakingly visualized action.
    • 48 Metascore
    • 63 Reviewed by
      Ty Burr
    Shakhnazarov's film effortlessly captures the times and the author's conflicted yet unyielding attitude, yet it never draws any conclusions -- the film remains under glass.
    • 44 Metascore
    • 50 Reviewed by
      Ty Burr
    It's a B-flick all the way, but it has no pretensions to the contrary, and that's some kind of refreshing.
  16. Isn't as trippy, scary, handmade-looking, or environmentally aware as some of Miyazaki's pictures. But it shares their dreaminess. Even at its most ingenious, not even Pixar does that.
  17. It's the men in ''Upside" who speak all the truth.
    • 74 Metascore
    • 75 Reviewed by
      Ty Burr
    You really don't need to borrow someone else's kids to ponder and enjoy what Millions has to offer.
    • 44 Metascore
    • 50 Reviewed by
      Ty Burr
    At its best when Anna confronts her tangled Afrikaaner legacy and when it brings the heretical notion of forgiveness up front, where a non-African audience can come to grips with it.

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