Boston Globe's Scores

For 7,950 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7950 movie reviews
  1. Choppy, cheesy historical war epic really has only a couple of things going for it, and its biggest asset remains the heroic popular legend that inspired its making.
  2. In both senses of the word, American Psycho wastes its women.
    • Boston Globe
    • 70 Metascore
    • 50 Critic Score
    A long crawl from inception to climax.
    • Boston Globe
    • 33 Metascore
    • 50 Reviewed by
      Ty Burr
    In a better movie -- a much better movie -- LaBeouf might make the same sort of impact Dustin Hoffman did in ''The Graduate.'' But the kid's young. There are movies to come.
  3. A film that begins with a train wreck and then, figuratively speaking, becomes one.
  4. Takes a dedicated and true snapshot of African-American life. But so little of its presentation is memorable. This is a haircut movie that redefines ''fade.''
    • 61 Metascore
    • 50 Critic Score
    Rockwell is a hoot as Frankie, but during the stretches when he's not on screen, the air goes out of the film.
  5. Veronica Guerin hardly trusts you to follow its story, opening with the murder, then a series of titles that explain what's to follow.
  6. It's an exasperating exercise in B-movie hokum and screenwriter's gimmickry.
    • 22 Metascore
    • 50 Critic Score
    Overstays its welcome.
  7. Hell itself is going to hell in Sandler's new comedy.
    • 70 Metascore
    • 50 Reviewed by
      Ty Burr
    Hoffman confessed he was drawn to the role because ''this was a guy who didn't know how to feel, and I found that fascinating.'' His challenge is our frustration
    • 29 Metascore
    • 50 Critic Score
    When the film predictably limps across the finish line, you're left with the impression your time would have been better spent sitting in traffic.
    • Boston Globe
  8. The picture's structural intricacy is a smoke screen for its psychological and emotional shallowness.
  9. Attempts none of the witty, provocative visual and metaphysical set pieces from any of the ''Nightmare'' movies. And it offers none of the real fright of the early ''Friday the 13th'' films. In fact, the movie is deeply, proudly unimaginative.
  10. It's one TV-movie romp that Kristy McNichol never got around to starring in.
  11. About everything is big in The 13th Warrior except the writing, which is microscopic.
    • Boston Globe
  12. The script boasts some tart TV-insider humor, but the film has not a trace of humanity or empathy.
  13. Don't Say a Word can be thought of as a case of Dial B for Boring.
    • Boston Globe
  14. Unfortunately, the filmmakers seem to have forgotten that comedy is a requisite feature in a comedy.
    • Boston Globe
  15. So much of Virgin is bunk masquerading as sexual politics.
    • 56 Metascore
    • 50 Reviewed by
      Ty Burr
    Doesn't have the gonzo wit of ''Re-Animator'' or ''Evil Dead 2,'' nor is it flat-out terrifying like ''The Texas Chainsaw Massacre'' or even a zombie-come-lately like this year's ''28 Days Later.''
  16. As the eviscerations ensue, the truth becomes undeniable: This is easily the most gruesome, most pointless, episode of "Scooby Doo" ever.
  17. If a long, chilly afternoon needs to be filled, The Tigger Movie won't hurt. But neither will it enchant.
    • 44 Metascore
    • 50 Reviewed by
      Ty Burr
    It's ''Hannah and Her Sisters'' with all the emotions and half the artistry.
  18. Tomorrow Never Dies works too hard to keep the James Bond franchise going, sacrificing Bond's signature light comedy and stylish playfulness to become just another hectic action movie. [19 Dec 1997]
    • Boston Globe
    • 39 Metascore
    • 50 Critic Score
    The real seduction Crudup pulls off is that he makes it seem possible that the character hasn't actually done all of these awful things.
    • Boston Globe
    • 33 Metascore
    • 50 Reviewed by
      Ty Burr
    Flatters its audience by dividing the grown-up world into mean idiots and nice idiots, which might be interestingly subversive if the movie had anything on its mind. Instead, it's just a Hollywood crash course: Heist Films 101.
  19. Isolated offbeat moments aside, The Mexican mostly fires blanks.
    • Boston Globe
    • 65 Metascore
    • 50 Reviewed by
      Ty Burr
    Isn't a first-date movie. As a third -date movie, though, it's just about perfect.

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