Boston Globe's Scores

For 7,950 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7950 movie reviews
    • 42 Metascore
    • 50 Reviewed by
      Ty Burr
    G
    If the movie's not as bad as it sounds, it's not all that great, either.
  1. Fellowes is so desperate for us to like these people that, despite how guilty everyone seems, there's scarcely any pleasure in the film for us.
  2. This nostalgic licorice whip of a movie assumes there's still an audience for a straight-faced, family-friendly salute to the 1970s heyday of competitive roller disco.
    • 33 Metascore
    • 50 Reviewed by
      Ty Burr
    Taking wobbly aim at our country's complicated love affair with guns, the movie's the very definition of a cheap shot.
  3. Even if the story is hackneyed, it's hackneyed in a warm and universal way.
    • 46 Metascore
    • 50 Reviewed by
      Ty Burr
    A heartfelt but muddled melodrama.
  4. It's as if a version of Oliver Stone's movie has been frozen in some fraternity house beer cooler since 1987 and thawed for the age of plasma screen TVs.
  5. Audiences of a certain hipster disposition, in fact, will see Elizabethtown and pine for Zach Braff's ''Garden State," the movie to which Elizabethtown bears an unfortunate and inferior resemblance.
    • 27 Metascore
    • 50 Reviewed by
      Ty Burr
    This new Fog floats in on the fumes of the 1980 John Carpenter original, but the surprise is that it's arguably better.
  6. Dreary-looking and painfully slow, but it's not terrible.
  7. Keep your big-budget horror movie expectations locked away in a separate crawl space, because this grainy feature debut from writer-director Ti West demands that you buy into the silliness, and the cheese.
  8. Dave is one of the most ineffectual characters ever to have an entire movie built around him.
    • 40 Metascore
    • 50 Reviewed by
      Ty Burr
    A tawdry, predictable hunk of movie headcheese, and I still had a pretty good time with it.
    • 54 Metascore
    • 50 Reviewed by
      Ty Burr
    Here the foundation has been miscast. That's M-I-S-C-A-S-T.
    • 51 Metascore
    • 50 Critic Score
    Zizek is a revolutionary playing a comedian playing a revolutionary. Which makes him worth watching, even in this movie.
  9. It's pedestrian.
    • 38 Metascore
    • 50 Reviewed by
      Ty Burr
    The movie equivalent of a box of generic macaroni and cheese: bland, easily digested, comforting, forgettable.
  10. Less a documentary than a PR package with a chip on its shoulder.
    • 60 Metascore
    • 50 Reviewed by
      Ty Burr
    A watchable disappointment. Sumptuous to look at, tastefully dull, and ultimately rather silly.
    • 53 Metascore
    • 50 Reviewed by
      Ty Burr
    Has a daft sweep, and if you're in the mood for empty swordplay in baroque settings, purple dialogue delivered with straight faces, and romantic yearnings that never, ever resolve, The Promise may be your cup of oolong.
  11. Not horrifying enough.
  12. This is a movie you could watch in your sleep.
  13. It's not remotely as luscious or half as bold as Malick's movie, but it is shorter and more educational.
  14. They're still fighting in this sequel. But this is a more visually inspired, muscularly made movie than its predecessor.
    • 34 Metascore
    • 50 Reviewed by
      Ty Burr
    Completely unnecessary but painless, like dentistry performed by mimes.
    • 53 Metascore
    • 50 Reviewed by
      Ty Burr
    A Good Woman is pretty to look at and fakes witty elegance passably, so consider it a diversion -- a movie that might have been in the Oscar race if the elements had jelled but has instead been properly hung out to dry in February.
    • 62 Metascore
    • 50 Reviewed by
      Ty Burr
    Genuine, artful simplicity may be an impossible quality in a modern children's movie, so Curious George opts instead for mayhem under a blanket of sweetness. The little ones understand.
    • 45 Metascore
    • 50 Reviewed by
      Ty Burr
    A movie like this needs a suave, amoral villain, so here's Paul Bettany.
    • 38 Metascore
    • 50 Reviewed by
      Ty Burr
    Suffice to say that Shawn Levy, director of the "Cheaper by the Dozen" movies, is no Blake Edwards; for every finely tuned slapstick fillip, there's a ton of messy, family-friendly buffoonery.
  15. Perry is a playwright, and his dialogue here is usually entertaining.

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