Boston Globe's Scores

For 7,950 reviews, this publication has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1 point lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Autumn Tale
Lowest review score: 0 Argylle
Score distribution:
7950 movie reviews
  1. It works well as a documentary, and I can’t deny that Presley gave 110 percent to his audience at every show. That in itself is impressive. (If you’re a fan, add an extra star to my rating.)
  2. The Brits do this kind of light and dark juggling act better than almost anybody (see “Billy Elliot” or “The Full Monty”), and the filmmakers and their cast deliver a movie that’s perfect for viewing on a lazy Sunday afternoon at the movie theater.
    • 61 Metascore
    • 75 Reviewed by
      Ty Burr
    "Dead" isn't a horror film but a study of human character under pressure, with Karloff's flawed, imperious General Pherides torn between rationalism and a homicidal belief in elder gods. [23 Mar 2014, p.N]
    • Boston Globe
  3. The rage expressed onscreen is understandable, and even cathartic. We can live vicariously through the vengeance of others.
  4. I’m not sure if the movie works overall, and there are a lot of loose ends that may frustrate some viewers. But I was hooked and couldn’t stop watching Riley’s raunchy, outrageous vision unfold.
  5. Exit 8 is based on a best-selling video game released in 2023. I have not played it, but if it’s anything like director Genki Kawamura’s adaptation, I’d say it’s enough to drive a person crazy.
  6. With this entertaining, funny, and informative movie, McKenzie can add documentary filmmaker to his CV. I doubt it will convince anyone who has bought into the legends of cryptocurrency to change their outlook, but skeptics will definitely get a kick out of this three year journey, which started during the pandemic in 2020.
  7. Soft girl era is something the socialmedialites are desperately in search of, and so am I. “You, Me & Tuscany,” takes us there.
  8. There are several kinds of wit at work here - Gould deserved no less - and they add up to an entertainingly offbeat evocation of a stimulating character whose wistful side is touchingly and glancingly evoked as well. [02 Feb 1994, p.66]
    • Boston Globe
  9. Fred Schepisi's "A Cry in the Dark" is a powerful film with a terrific performance by Meryl Streep, her best since "Sophie's Choice." [11 Nov 1988, p.57]
    • Boston Globe
  10. Marty, Life Is Short allows you to be a fly on the wall for all that relentless merriment while reminding you to enjoy your own life while you can.
  11. It's not a perfect film. In fact, it's in many ways a messy film. But if it's disjointed, so are its characters' lives. And they're put onscreen with a veracity and an emotional authenticity that draw you into their tight little barnyard world. [17 Jul 1992, p.31]
    • Boston Globe
  12. This is a long, heavy film, in which Scorsese’s aerobic moviemaking turns mannered and uncharacteristically passive.
    • 43 Metascore
    • 63 Reviewed by
      Ty Burr
    The movie is by no means good but it’s surprisingly enjoyable: a misty, moody Saturday-matinee monster-chiller-horror special.
    • 55 Metascore
    • 63 Critic Score
    The movie’s weaknesses include the overuse of grainy flashbacks of Craven’s daughter as a child, and the conversations he has with her after she is gone. Both are tremendously moving ideas but eventually succumb to bathos from repetition.
  13. The screenplay by Robert Nelson Jacobs affirms life and jerks tears with welcome degrees of humor and muscle.
    • 63 Metascore
    • 63 Reviewed by
      Ty Burr
    There are some good, sharp, surprising laughs in Youth in Revolt. So why does it feel so dreadfully familiar?
  14. Bullock’s levelheaded acting frequently saves the movie from emotional garishness.
    • 64 Metascore
    • 63 Reviewed by
      Ty Burr
    Everything about the film is a welcome rebuke to the happy-face apocalypse of “2012,’’ a movie that turns mass extinction into the Greatest Show on Earth. In The Road, what has been lost is recognized as infinitely precious; what’s left is bitter and our due.
  15. The voice actors are also excellent, especially Michael-Leon Wooley as a bouncy trumpet-playing alligator and Jim Cummings as a lovelorn Cajun firefly.
    • 69 Metascore
    • 63 Reviewed by
      Ty Burr
    A manically playful revenge fantasia made from the spare parts of Sergio Leone spaghetti westerns and strapping World War II action flicks.
    • 64 Metascore
    • 63 Reviewed by
      Ty Burr
    It’s a muddled but plush experience overall, and if you’re a royalist completist or a historical romantic, you’ll probably have a decent time.
  16. Moon might be a once-in-a-lifetime experience for fans of Sam Rockwell. Will there ever be more of him in one movie than there is here?
  17. Duvauchelle is actually the best thing in the movie.
  18. It’s a stagy, half-entertaining, half-tedious acting competition between five excellent Englishmen.
    • 66 Metascore
    • 63 Reviewed by
      Ty Burr
    The movie’s fun to watch, but you can tell it was a lot more fun to make, and that’s a problem. The party stays up on the screen; down here, it’s been over for a year.
  19. It’s not especially filling, but it leaves a pleasant aftertaste.
    • 63 Metascore
    • 63 Reviewed by
      Ty Burr
    A Perfect Getaway may not play fair by the audience but at least it cheats honestly. These days that's something.
    • 47 Metascore
    • 63 Reviewed by
      Ty Burr
    At its best, The Time Traveler’s Wife does suggest the preciousness of a life that’s too often beyond our control. At its worst, it’s more than a little nuts.
    • 56 Metascore
    • 63 Reviewed by
      Ty Burr
    The best moments in Watchmen, then, work as delirious music-videos.

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