Blender's Scores

  • Music
For 1,854 reviews, this publication has graded:
  • 39% higher than the average critic
  • 3% same as the average critic
  • 58% lower than the average critic
On average, this publication grades 7.9 points lower than other critics. (0-100 point scale)
Average Music review score: 65
Highest review score: 100 Together Through Life
Lowest review score: 10 Folker
Score distribution:
1854 music reviews
    • 53 Metascore
    • 60 Critic Score
    Even when he tries to make a connection between pickup lines and international tension, in “Made of Codes,” Peñate never forgets that even quasi-protest songs need a good beat.
    • 53 Metascore
    • 40 Critic Score
    The results are disappointingly uneven. [Oct/Nov 2001, p.103]
    • Blender
    • 53 Metascore
    • 30 Critic Score
    Every track emerges as ugly and joyless as the one before. [Oct 2004, p.127]
    • Blender
    • 53 Metascore
    • 40 Critic Score
    Their third albums smells less of revivalist chic than tribute-band nostalgia. New wave knockoffs have rarely sounded so old.
    • Blender
    • 53 Metascore
    • 40 Critic Score
    The MC turns largely to the Neptunes for music, and their lithe, bombastic space-porno sonatas provide a vitality and playfulness he’s still capable of matching. But a string of increasingly awkward and thoroughly ludicrous sex jams finds him slapping asses, and may leave his devotees smacking their foreheads.
    • 53 Metascore
    • 40 Critic Score
    The only standout is "Down On The Corner," built around the ear-pricking chords and lithe grace that stamp Marr's best work. [#14, p.139]
    • Blender
    • 52 Metascore
    • 40 Critic Score
    Producer Desmond Child trips up the Meatman by valuing metal flash over the altruism of want-you-need-you humanity.
    • 52 Metascore
    • 60 Critic Score
    In striving for Zen-like purity, the songs often end up eerily blank. [Jul 2005, p.122]
    • Blender
    • 52 Metascore
    • 40 Critic Score
    Kracker's Southernisms feel a little rote and undigested. [Aug 2004, p.142]
    • Blender
    • 52 Metascore
    • 40 Critic Score
    The hipster thrills are fading. [Oct 2004, p.116]
    • Blender
    • 52 Metascore
    • 70 Critic Score
    [An] entertaining album. [Apr 2005, p.119]
    • Blender
    • 52 Metascore
    • 40 Critic Score
    J. Lo's music has been upgraded from quite bad to merely bad. [Dec 2007, p.148]
    • Blender
    • 52 Metascore
    • 30 Critic Score
    The default setting is funk-pop bombast augmented by horribly dated electronica. [Nov 2004, p.128]
    • Blender
    • 52 Metascore
    • 50 Critic Score
    The production feels lethargic and unmelodic... and Foxx's lyrics are all corny come-ons and cheesy sentimentalisms. [Mar 2006, p.113]
    • Blender
    • 52 Metascore
    • 50 Critic Score
    It's hard to catch much buzz off fun that sounds so much like work. [Dec 2006, p.170]
    • Blender
    • 52 Metascore
    • 20 Critic Score
    More Bon Jovi than Blur, bloated with stadium-friendly power ballads. [Jun/Jul 2002, p.106]
    • Blender
    • 52 Metascore
    • 60 Critic Score
    It's refreshing to hear a band approach the form's familiar imagery from a place of romance, not cynicism. [Oct 2005, p.138]
    • Blender
    • 52 Metascore
    • 60 Critic Score
    Even the best of these tracks lack the grimy menace of the most thrilling Neptunes beats. [Sep 2006, p.147]
    • Blender
    • 52 Metascore
    • 60 Critic Score
    It's fun enough, until the interminable breakup theme that drags down the second half. [Dec 2004, p.136]
    • Blender
    • 52 Metascore
    • 40 Critic Score
    There’s only so much even a metal fan can swallow.
    • 51 Metascore
    • 30 Critic Score
    A startlingly generic effort. [Sep 2003, p.120]
    • Blender
    • 51 Metascore
    • 40 Critic Score
    A long-winded, soulless soul album of the kind Levert might have once turned in. [#4, p.117]
    • Blender
    • 51 Metascore
    • 80 Critic Score
    He sticks defiantly to formula, hustling a string of synth-heavy, syncopated club jams. [#14, p.134]
    • Blender
    • 51 Metascore
    • 40 Critic Score
    Album three aims for maturity, but the results are stunted.
    • 51 Metascore
    • 60 Critic Score
    While his band's skeletal, rattling rhythms, swollen with synthesizer and studio ornamentation, feel more multidimensional than ever, Davis is most compelling when he retreats into the third person to describe an unnamed, uninspired singer with a "dumb-ass song" ('Ever Be').
    • 51 Metascore
    • 40 Critic Score
    This is rock theater of the most uninspired kind. [Aug 2004, p.136]
    • Blender
    • 51 Metascore
    • 60 Critic Score
    It's hard to find LL in the crowd. [Jun 2006, p.141]
    • Blender
    • 51 Metascore
    • 60 Critic Score
    Rimes's gigantic soprano never flags, yet remains best in ballads. [#11, p.140]
    • Blender
    • 51 Metascore
    • 60 Critic Score
    Feels like surprisingly generic party rap. [May 2004, p.126]
    • Blender
    • 51 Metascore
    • 40 Critic Score
    Barely breaks a sweat as it revisits the lukewarm metal riffs, barely passable rapping and sunny Caribbean choruses of [their] previous seven studio albums. [Oct 2005, p.145]
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