Austin Chronicle's Scores

For 8,784 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 6.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 58
Highest review score: 100 The Searchers
Lowest review score: 0 Gummo
Score distribution:
8784 movie reviews
  1. The crime is beyond bizarre, and the film is relentlessly suspenseful, but perhaps the most disturbing question of all is this: Whatever happened to Nicholas Barclay? To that, there remains no satisfactory answer.
  2. A very nasty piece of work, indeed.
  3. More factual rigor wouldn't hurt, but directors Quinn and Walker delve instead into the lives of their subjects with a fly-on-the-wall candor, revealing as much about American life as they do of African life.
  4. Mamet does a shrewdly skillful job with these Tinseltown terrors.
  5. Even if you're familiar with the details of the game, Rafferty's suspenseful editing draws you to the edge of your seat and beyond, back into 1968 itself.
  6. Presumably the first ever feature film adapted from a Twitter thread, Zola makes use of the graphics and sound effects of the internet, as has been common in film for the past several years. But there’s more depth to it here given the context.
  7. What Reggio’s ultimate point or conclusion might be is, as ever, left up to the viewer for interpretation. And while this is patently not a film that big-box cineplexers are going to rush to in droves, Visitors remains a wondrous work of artistic achievement.
  8. The information it presents is eye-opening for medical consumers and health professionals of any stripe. And the film incidentally makes a great case for health care reform.
  9. Johnson may need reminding that atheists aren’t just here to provide comfort to believers. That misstep aside, Wake Up Dead Man is a cunning and entertaining mystery, a return to form for the franchise.
  10. This documentary does boast some bowl-you-over reveals best experienced blind.
  11. Along the way, you’ll wonder if you’re watching a classic tragedy or a comedy.
  12. A touching (and at times horrific) -- albeit overlong -- Christ allegory, that scores not so much on the strength of its convictions as it does on the truly remarkable performances it elicits from the cast.
  13. Ramsay is experimental, unconventional, and forever reaching at the gorgeousness in grief and despair. Her film moves slow as molasses, slow as paint drying -– and all the better to see the colors and the complexities.
  14. The Desolation of Smaug is, on the whole, a vast improvement over The Hobbit: An Unexpected Journey. It’s a popcorn movie (in the best sense) disguised as deep-core nerdism.
  15. Ultimately, Frost/Nixon may be stuck in time – but, oh, what a time it was.
  16. It’s the funniest, friskiest date movie in a good long while.
  17. The best surprise is Yuan, the daughter of Hong Kong actress Cheng Pei-Pei. She has great screen presence and invests Lichi with a mix of kitty-cat cuteness and hellcat ferocity.
  18. As much romantic fantasy as it is social satire, but more to the point -- it is gloriously and tear-wellingly funny.
  19. This weighty French/Polish production is chock-full of moral dilemmas borne from its unthinkable scenario. At times, it’s not an easy experience.
  20. It’s an erotic thriller set-up matched with the sort of morally dubious character that would have De Palma’s ears perked, but it plays like more of a farce in practice.
  21. The first film was both a fun and furry buddy cop romp and a gentle metaphor for acceptance and cohabitation. Zootopia 2 goes further down that path in a fashion that is unabashedly moralizing when it comes to how some groups are excised and othered in a community, and how gentrification can be a tool of oppression.
    • 73 Metascore
    • 78 Critic Score
    Nearly every shot of the film, which Wells (a UT grad) also wrote and directed, holds a heavy dose of local scenery.
    • 85 Metascore
    • 78 Critic Score
    Greengrass and co. may have made one of the best action movies in recent memory.
  22. Watching Matt and Anna discover the parameters of their friendship, and the impact they have on each other’s lives, is quite rewarding. Both Helms and Harrison nail the fluid nature of the tonal shifts as their bond tightens, loosens, and tightens once more.
  23. A stroll with these characters is a refreshing break from from the usual film exercises.
  24. This revisionist Western – intellectually, aesthetically, and narratively absorbing – rattles to the bone, but never quite rends the heart.
  25. Horror movies tend to be pretty quick affairs, clocking in at 90 minutes or less, but The Wailing runs over two-and-a-half hours. That's because Na's recipe absolutely requires simmering before it rips your guts out (and everyone else's).
  26. One wishes perhaps for a more thumping conclusion, but what we have instead is something perfectly in the spirit of the piece, reaffirming that life, big and little, happens in 10 minutes chunks.
  27. The magnificence of the film's pieces does not quite add up to a satisfying whole.

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