Austin Chronicle's Scores

For 8,786 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 6.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 58
Highest review score: 100 The Searchers
Lowest review score: 0 Gummo
Score distribution:
8786 movie reviews
  1. It's childhood done just right: part cotton candy angels, part gurning adult frighteners, and all wide-eyed kidhood bravado.
  2. There is great material here and ample food for thought, but the presentation is lacking.
  3. The best surprise is Yuan, the daughter of Hong Kong actress Cheng Pei-Pei. She has great screen presence and invests Lichi with a mix of kitty-cat cuteness and hellcat ferocity.
  4. Cloyingly melodramatic film.
  5. The actors are all good, although not much rapport is conveyed, despite one hot sex scene.
  6. Ultimately the film manages a warm, offbeat appeal despite its flaws, and it has real heart.
  7. It's a messy, overlong film, but it's impossible to take seriously and therefore more than a little entertaining.
  8. Visually, The Jacket has a lot of flash, but it hardly compensates for the fuzzy story.
  9. Is it funny? Not for a minute.
  10. I’m all for ambiguity, but Dear Frankie’s multiple dangling threads indicate incoherent storytelling, not profundity.
  11. With so many soldiers interviewed, some only fleetingly, it's impossible to keep track of them all.
  12. Walk on Water makes you wonder what the Mossad is teaching its field agents these days.
  13. Genre fans and newcomers alike should skip this monstrosity and go rent "Ginger Snaps" instead.
  14. Cruelty, church redemption, miraculous healings of limbs and junkie relatives – all have their moments onscreen.
  15. Silly and implausible.
  16. Has the look and feel of Euro-Altman (vastly superior to Euro-Disney, mind you).
  17. Veterans Eva Marie Saint and Cicely Tyson make welcome appearances.
  18. Constantine will likely hold far more interest for devoted fans of the series, but it's not necessary to have read the books to appreciate the film's sumptuous visuals and art direction.
  19. But for anyone who assumed Kennedy's experiment couldn't sink any lower than "Malibu's Most Wanted," there are, it appears, ever deeper depths in the realm of comedic misfires.
  20. A well-told tale that uses minimal dialogue, striking imagery, and vivid violence to weave a depressing portrait of obsessive love and a no-win battle of wills.
  21. Awash in the obvious and sports a patently predictable outcome. Somewhere, Stanislavsky is shrieking as well.
  22. Much has been made about the film's "humanizing" of Hitler, but he's only human here in the most prosaic of terms.
  23. A sweet German movie by a first-time filmmaker, who, I would bet, is more than a little familiar with the early work of Jim Jarmusch or just about any Aki KaurismŠki film.
  24. An emotional triumph.
  25. This second incarnation of the Mike Judge and Don Hertzfeldt-produced animation anthology is, if anything, even better than the first.
  26. But the best way to enjoy Ong Bak is on its own gritty, low-budget level, skins, brains, and guts galore, a viscerally entertaining slice of Thai filmmaking that will leave you grinning ear to ear.
  27. It's got practically everything you could stuff in front of a camera, with the possible exception of Rip Taylor throwing confetti. Dancing transvestites? Check. Elephants? Check.
  28. In the end, while both of these performers look great together, they really don't seem to belong together. And that's the biggest hitch in Hitch.
  29. Not even the film's director Gerard Damiano will argue for Deep Throat being a great movie. But, hey, at least there's no gag order anymore.
  30. Well-considered, beautifully made, and often gripping in its narrative, the film epitomizes the best the documentary format can offer.

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