Drag x Drive is another one of those crazy Nintendo bets that works really well and becomes fun as you understand and overcome its difficulty curve. A bold and inclusive, and above all innovative gamble. The Joy-Con 2 response in mouse mode is a delight, and its mechanics are fun for passing time with casual matches. It can become frustrating if you run into experienced players, but the foundation and learning are there.

Fort Solis is an intriguing narrative experience that submerges players into a well-crafted mystery. The focus on character-driven storytelling, combined with episodic progression, makes it akin to immersing oneself in a suspenseful TV series. While lacking traditional action and grappling with technical hiccups, the game's unique approach to storytelling shines through.

THQ Nordic and King Art Games bring us The Dwarves, an RPG adaptation of Markus Hetiz’s novels that, despite good ideas, doesn’t live up to its source material albeit its entertaining story.

Resident Evil 6 is the franchise's installment with more action, and now it comes to the next generation with a fairly low price, enhanced graphics that are more realistic and exclusive content that can be only seen in this generation of consoles.

Payday 2 reveals its worst in the Nintendo Switch. Even though it is not a bad port, the Overkill game and the Nintendo Switch does not seem to get along. Good gameplay, but this is the worst version of the game nowadays.

SNK Heroines is the Japanese company’s bet starring its famous girls with an all new battle system that will satisfy all of its players and that also focuses on the customization of the characters. This is, indeed, a fan service type of game.

Open House Games gives us a title with plenty of originality in the approach but in the end turns out to fall into an ellipse of repetition of elements and missed opportunities. A Tale of Paper is a story of great ideas but questionable execution.

Crackdown 3 has really tried to take it to the next level. However, in the end it’ll only manage to convince those who already are followers of the franchise. The game is too plain, and it also consists of a multiplayer mode that, as of right now, feels like it is in its early stages.

Disintegration is what every debut work from a newly founded studio should be: a commitment to creating something new that also respects the most classic mechanics of two well-differentiated genres. But, best of all, Disintegration it's the special feeling that V1 Interactive has discovered something unique: a genre that I didn't know I needed until I played through it.

Konami takes a chance with Metal Gear Survive and focuses on delivering a game with the same base, but a different type of genre. A risky bet that has its innovative moments, but fails to completely entertain and has plenty of monotone moments.

With more and more proposals that invite us to be part of a deep and varied tactical and strategic experience, this title of Spanish origin manages to stand out for the linearity of a well-run and interesting story and a group of interesting protagonists who feel alive, with personality. However, he remains halfway in terms of his fights, too basic for those who are used to the genre and a very flat development.

The Technomancer is a complicated old-school game, but its content is very rich and it features a complete combat system and a well-developed atmosphere throughout the story.

Is this the same Rocksteady Studios that once made the iconic Batman: Arkham games? Honestly I'm not really sure anymore, with the game falling short in almost every conceivable aspect. The only way to actually recommend it is if you manage to buy it at a much lower price tag than the one from the original release.

N.E.R.O. relies on philosophical lessons in order to create its story, but in terms of gameplay it feels too clumsy and simple.

Mario Party: The Top 100 is a game that, even though it has 100 of the best minigames of the saga, it feels very short. Very uninspired game mode and very little content make this game incapable of standing on the same level as Nintendo has been this year.

Rougue Trooper Redux is a very interesting third person shooter with a straightforward and short campaign. Its atmosphere and style of the supersoldiers are some of the best parts of the game. A good adaptation, but with the same issues as the original game.

Chibig Studio have managed to create a magnificent story with incredible, charismatic and endearing characters. All this added to an artistic direction and an impeccable soundtrack. However, Summer in Mara fails in the gameplay, which is repetitive and unsatisfactory.

The Inpatient is one of the best horror games that Virtual Reality has these days. Supermassive Games has created a great example of how to create an immersive story and has brought it to life for PlayStation VR.

South Park: Snow Day! seemed to me like a rather vague attempt to capitalize on the franchise that gave us such good results with previous titles. A game that falls short in many aspects and where the low budget is noticeable. It's fun when you play it with friends, but it's not a game that will go down in history. Considering the franchise it is, something much more ambitious could have been done.

Cars 3: Driven to Win is a quite complete game with lots of content and great gameplay mechanics. However, the lack of an online mode and some graphical issues may affect negatively the experience.

Anthem is a game with a superb gameplay that fails in delivering an entertaining experience due to a campaign with no flow, a heartless story and repetitive missions, even in the endgame. Anthem clearly needs months or even years of polishing and content to be what it wanted to be at first.

Munch's Oddysee is the worst work of the Oddworld franchise and comes to Nintendo Switch with a remastering with hardly any changes beyond the technical section to result in a very mediocre title.

This is a very superfluous title that features a long and boring campaign and lacks freedom for objective choosing. Just for the fans of the genre that don’t care about technical issues.

Star Ocean returns with its fifth installment, but after 20 years its evolution has not been quite good. The AI is terrible, the mechanics are really repetitive and the story is pretty dull. Only players who enjoy the classic JRPG games will have fun with this one.

Skull and Bones has ended up being a rather decent game for the catastrophe it could have become. Playing it, you understand why Ubisoft didn't decide to cancel it and gave it a chance. The work of the French multinational may not be the ultimate pirate fantasy, but it is indeed an open-world game with MMO elements and a solid gameplay foundation. It's not a game for everyone, and only time will tell if it ends up being so.

One Piece: World Seeker does not manage to meet the expectations built on its several showings. Instead, we are presented with a conventional open-world game that in spite of having a nice story, it is lacking in most of all the other aspects.

Nightmare Boy is a game that preserves the good parts of the Metroidvania genre and also adds its personal touch with a world based on nightmares.

Hunter’s Legacy features a classic “metroidvania” style and excellent mapping. However, the poor character design and combat system contribute to a very frustrating experience.