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This certainly isn't an essential album by any means, and perhaps a retrospective of Tillman's previous five albums and EPs might have been a better introduction.
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MojoThe dejected vocals and mesmerising mood of the music are in place, making this an album for long lonely winter nights. [Feb 2009, p.115]
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This latest ventures a hesitant step towards his new band’s gorgeous harmony. It’s only a glimpse--most of the time, J. Tillman is trafficking in skeletal, fractured interpretations of traditional American songforms--blues in particular.