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There are more ideas here than many bands manage in their entire career, but in inimitable Maiden style, it's woven together beautifully.
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Kerrang!Only Iron Maiden know if this is their last hurrah. But if it is, they're going out the same way they came in: fearless, adventurous, and with a record that'll still bowl you over in a decade's time. [7 Aug 2010, p.50]
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Now they've reinforced their position as the credible elder statesmen of metal, with a tightly focused, self-referential effort.
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Iron Maiden has put together the best late-career run metal has ever seen, and the only thing we can hope is that it lasts for at least one more album.
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The Final Frontier might sound alien at first, but Iron Maiden's DNA is splashed all over it.
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The delicately crafted "Coming Home" is Maiden's most effective power ballad ever, while "The Man Who Would Be King" delivers a slice of medieval mayhem. And the jam section during the cut "Isle of Avalon" suggests a metal take on the Grateful Dead. With all that, The Final Frontier boldly goes where few metal bands have gone before.
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The Final Frontier still brings Iron Maiden closer to their aesthetic legacy and triumphant year 2000 rebirth than its two predecessors.
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The Final Frontier is the kind of record that takes several listens to truly appreciate, but it's definitely worth it.
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Nearly 77 minutes, The Final Frontier calls for a harsher edit and, of course, Maiden's early punk tenacity.
Awards & Rankings
User score distribution:
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Positive: 86 out of 103
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Mixed: 14 out of 103
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Negative: 3 out of 103
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Aug 22, 2010
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Sep 12, 2010
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Mar 25, 2012