Buy Now
| Buy on |
|
- Critic score
- Publication
- By date
-
Dec 5, 2013It’s his excellently loose band (featuring M. Ward and Sonic Youth’s Steve Shelley), intimate vocals and fondness for chimes that keep the disintegrating threads woven together.
-
MagnetNov 27, 2013Gelb's voice remains sweet as sandpaper, setting a tone that's elegiac, lyrical and lovingly enigmatic. [No. 104, p.55]
-
Nov 4, 2013Though occasionally confounding, it inevitably turns out to be time well spent.
-
Nov 4, 2013The Coincidentalist is one of Gelb's most realized efforts; despite its relaxed, airy presentation, it's musically and lyrically provocative, as poetic, strange, and mysterious as the desert itself.
-
MojoNov 1, 2013The latest set of back-porch ballads, junkshop country hymns and chiming indie rock--all born of his beloved Arizona desert. [Nov 2013, p.94]
-
UncutNov 1, 2013The Coincidentalist, as with most things Gelb puts a shoulder to, is a thing of strange, understated pleasure. [Nov 2013, p.68]
-
Nov 1, 2013This ranks amongst Gelb's most vital albums in an already storied career.
-
Nov 4, 2013The torrid, languid, gritty tones of Tuscon—as a lyrical set piece as well as an active, ire-filled ambient swell--so overwhelm Gelb’s every spiritual and physical inch, it’s as if sand and silt oozes from his pores on moments.
-
Jan 29, 2014The resemblances don’t work on every song as Gelb takes some radical turns into experimental jazz and country rock that recall Charles Mingus and Neil Young more than literary Cohen, but on the whole this is the best Leonard Cohen album by someone other than Cohen himself in decades.