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Classic Rock MagazineDec 18, 2014It's lush, grown-up, thoughtful, funny and very good. [Sep 2014, p.93]
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Jul 14, 2014Produced by Doug Lancio, the lead guitarist in the Combo, Mr. Hiatt’s fine backing band, Terms of My Surrender has a relaxed and rawboned sound, credibly rooted in live performance.
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Jul 14, 2014The result is a warm, generally introspective but far from musty set that revels in predominantly acoustic material sung with Hiatt’s increasingly gruff, whiskeyed voice.
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Jul 14, 2014He sings most of the songs in a lower register than usual, and does so well. This record does not lack authenticity.
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MojoJul 3, 2014Hiatt sounds throughout as if gargling a box of frogs in some eternal late-night New Orleans backroom. And it's glorious. [Aug 2014, p.90]
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UncutJul 3, 2014This is one old timer who's still in his prime. [Aug 2014, p.72]
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Q MagazineJul 3, 2014All compensate in quality for what they lack in originality. [Aug 2014, p.107]
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Jul 3, 2014The results are very pleasing indeed, from the mean faith-bating blues of Face Of God to the howling prairie wisdom of Wind Don’t Have To Hurry, the nononsense declaration of love, Marlene, to the hobo jazz of the title track.
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Jul 3, 2014On Terms of my Surrender, Hiatt has the blues, and he's got the goods, and this is another solid chapter in a recording career that's drifted into an unexpected but pleasing renaissance.
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Jul 21, 2014The playing crackles with live-in-studio spontaneity and Hiatt emerges a hard-travellin' hero.
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Jul 15, 2014If, after four decades, Terms of My Surrender appears to take a change of tune, in Hiatt’s hands it’s a winning formula regardless.
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Jul 18, 2014A couple of the blues songs (“Here to Stay”, for instance) blend into the scenery and are soon forgotten, but the only real clunkers are the lighter fare, “Marlene” and “Old People”, which feel forced and unable to balance out the album’s darker moments.