- Critic score
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What might start as a project which has specialist appeal only therefore becomes something well worth hearing, a lesson in how to make the most from an instrument with seemingly limited range, without overdoing the beard scratching.
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Even though incredibly complex and insanely technical, this is a very quiet, intimate release. There is a vulnerability in this album that hasn't been seen in previous works.
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It’s indulgent stuff, but with the application of headphones and close attention, snatches of songs emerge, equipped with moments of gentleness, terror, and beguiling complexity.
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UncutUltimately, though, it's another Squarepusher album you don't really need. [Oct 2009, p.112]
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It creates an album weighed toward showcasing masterful execution that leaves a pretty muted general impression. Unless you're predisposed toward technical prowess and solo bass recordings, it's probably going to come off as more of a clinic than a collection of great songs.
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It may be a bit dull and overlong (a three to five song EP of this would have sufficed), but he doesn’t care. It’s his music and he’ll do what he damn well pleases with it.
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It’s just as likely to bore as to thrill, and while Jenkinson is clearly demonstrating his love for his instrument, he’s not displaying an awful lot of emotion for anything else.
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While there are fleeting moments of inspiration, Solo Electric Bass is a cavernous black hole that is mostly devoid of anything truly affecting.
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MojoThe thick strings lead to fumbles, as imagination is constrained by technique. [Sep 2009, p.104]
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I ultimately found Solo Electric Bass 1 as dull as it must have been difficult to play.