- Critic score
- Publication
- By date
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Q MagazineThis fifth album doesn't differ radically from the previous four.... Newcomers, however, should start with 2003's more cohesive Transatlanticism. [Oct 2005, p.115]
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Plans flounders in the second half, where Death Cab run out of ideas and try to fill the holes with busy keyboard bits.
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Gibbard's angelic vocals sag with the weariness of a man who's gazed at his navel all his life only to realise there's nothing but fluff and darkness.
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Although the band hasn’t really strayed from its cutesy indie-pop formula, the qualities that made Death Cab stand out aren’t present this time around.
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Unmemorable and inoffensive, Death Cab has gone from oddball indie-pop kids to mature professionals who now have a lot more people counting on their success.
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Plans is a shameless and famished record, the sound of pop slurping itself empty.
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New Musical Express (NME)'Plans' is produced within an inch of its shiny, whitebread life and the Cutie seem to have lost their faux-naive subtleties, becoming the non-thinking man's Coldplay along the way. [27 Aug 2005, p.74]
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MojoFrankly this sort of thing makes Athlete, Snow Patrol et al sound like fire-breathing berserkers. [Oct 2005, p.102]
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UncutTheir failure to shift pace from a relentlessly wistful chug makes for an oddly exhausting listening experience. [Oct 2005, p.98]
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[It] leaves this bizarre aftertaste – one not of immediate dislike, but one that’s pretty far from appealing enough to warrant a second sampling.
Awards & Rankings
User score distribution:
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Positive: 168 out of 203
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Mixed: 14 out of 203
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Negative: 21 out of 203
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Jun 30, 2011
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KevinMSep 26, 2005
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BrendanMSep 5, 2005softer than transatlanticism, but a very provoking album