Metascore
81

Universal acclaim - based on 11 Critic Reviews

Critic score distribution:
  1. Positive: 11 out of 11
  2. Mixed: 0 out of 11
  3. Negative: 0 out of 11
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  1. Oct 10, 2022
    80
    Though Loose Future lacks a bit of the grand-scale drama of Honest Life and Old Flowers, it's full of well-crafted songs performed with the skill and passion they deserve, and it's another worthy album from a songwriter who only gets better as she matures.
  2. 80
    It's a gloriously mellow record, the sound of an artist remembering there’s a life beyond her touring schedule and daring to enjoy it.
  3. Oct 7, 2022
    80
    Radically openhearted and stunning new album. The album feels like a series of warm embraces: of Andrews’ past musical selves, of her past mistakes and misfortunes, and of her bright, beautifully uncertain present and future.
  4. Oct 4, 2022
    80
    Yes, it takes some getting used to, but Andrews has another winner, just a different-sounding one.
  5. Mojo
    Oct 4, 2022
    80
    Loose Future positions Andrews between Waxahatchee and Angel Olsen, a triumvirate of singer-songwriters finding new alleyways in and out of familiar territory. These 10 absorbing songs, likewise, are testaments to remaining in motion. [Nov 2022, p.88]
  6. Uncut
    Oct 4, 2022
    80
    It's not quite experimental, but there is evolution in this superbly judged set. [Nov 2022, p.21]
  7. 80
    Loose Future embraces uncertainty and jumps headfirst into big emotions, but with acute self-awareness.
  8. Oct 18, 2022
    75
    The smooth, radiant production doesn’t amount to commercial pandering: It’s assured, exploratory, and warm music that mirrors Andrews’ newly opened heart.
  9. Oct 11, 2022
    75
    Produced by Sam Evian, Loose Future is brighter and more buoyant than Andrews’ prior output, the Arizona-born artist displaying her well-honed songwriting and impressive vocal skills while adopting a pop-adherent sound.
  10. Nov 1, 2022
    70
    Loose Future invites us into a place of delight and reminds us that “These Are the Good Old Days,” that it’s okay to eschew the five-year plan and greet the future with open hands, that a gratuitous smile or warm song can be truly life-giving.
  11. 70
    At just over a half hour, the short but compelling set finds a generally chipper—if somewhat guarded—Andrews expanding her musical boundaries and peering cautiously to a brighter, more fulfilling, and looser future ahead.

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