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Jun 11, 2018Clearly Sheff is at something of a crossroads in his life and his world view is changing; perhaps he doesn’t quite know how best to make everything fit together just right. Given time, there are moments of this album that will shine, it’s just a shame there’s so few of them.
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MojoMay 21, 2018Songs of promise, resilience and the occasional unpredictable turn. [Jul 2018, p.98]
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Apr 29, 2018It’s a compelling and moving opener to In the Rainbow Rain, but nothing else here scales the same heights.
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Apr 27, 2018Working with producer Shawn Everett (the War on Drugs, Alabama Shakes), Sheff has crafted his least-Okkervil River-sounding Okkervil River outing to date, employing a colorful palette of sonic hues that flirt with everything from soft rock and soul to left-field '80s synth pop and Beatlesque classic rock.
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Q MagazineApr 24, 2018He mostly enchants, squaring literary pretensions with the band's happy fate as indie-rock comfort food. [Jun 2018, p.113]
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Apr 24, 2018Although there are some standouts on the album, like the vocal push-and-pull of "Don't Move Back to L.A.," the soulful "Shelter Song" and the dramatic buildup of "Human Being Song," Sheff sounds rather lost throughout this album, hampered by indecisive arrangements and ambling verses.
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Apr 24, 2018With the exception of “Famous Tracheotomies,” Sheff often struggles to find compelling metaphors on this album.
User score distribution:
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Positive: 5 out of 8
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Mixed: 2 out of 8
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Negative: 1 out of 8
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Apr 30, 2018Basically Okkervil River+Saxophone and psychodelic touches. Lyrics might be more simple, but not in a bad way. Love the band.
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Apr 27, 2019
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Jun 5, 2018