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May 29, 2015Whilst this is an album that will draw comparisons to the band that made her name, it is a fine, if long overdue, solo effort.
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Feb 19, 2015Guitars and Microphones is right in line with Pierson’s penchant for spiky dance pop, but it’s also a more revealing look at the atomically redheaded siren.
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Feb 19, 2015Pierson hasn’t lost any of the force or heat that’s characterized her vocal work for 40 years; if anything, she’s acquired the ability to enrich otherwise pedestrian line readings with a resonance that feels born of a life well lived.
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MojoJun 10, 2015Her songs are full of girl group feistiness. But not all of them. [Jul 2015, p.94]
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Feb 19, 2015A collection of brassy manifestoes about independence and, naturally, outer space.
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UncutFeb 19, 2015Pierson's first outing without Fred Schneider and co is produced to sound immaculately (and blandly) like 1980s American new Wave pop; enough to make "Love Shack" seem cutting edge. [Mar 2015, p.80]