G I R L
by Pharrell Williams
  • Record Label: Columbia
  • Release Date: Mar 3, 2014
User Score
6.9

Generally favorable reviews- based on 166 Ratings

User score distribution:
  1. Positive: 102 out of 166
  2. Mixed: 37 out of 166
  3. Negative: 27 out of 166
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  1. tovelo
    Dec 10, 2014
    10
    pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no brunopisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no 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bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão… Expand
  2. asjklasjklas
    Mar 4, 2014
    7
    It's certainly refreshing for man far more recognized for his rapping and production credits. Although it builds on the 70's disco revival he helped light up last year -- Robin Thicke's "Blurred Lines" and Daft Punk's "Get Lucky" were probably the most overplayed songs of 2013 -- it's not as refreshing in 2014 when everybody else has taken a bite of the hype (nu-disco is this year's EDM).It's certainly refreshing for man far more recognized for his rapping and production credits. Although it builds on the 70's disco revival he helped light up last year -- Robin Thicke's "Blurred Lines" and Daft Punk's "Get Lucky" were probably the most overplayed songs of 2013 -- it's not as refreshing in 2014 when everybody else has taken a bite of the hype (nu-disco is this year's EDM). Pharrell Williams' wannabe Prince falsetto helps glide listeners through a time of vinyls, Woodstock, and men dressed in shiny suits, it's all pleasant enough. Daft Punk make an uncredited appearance in "Gust of Wind", one of the album's most undeniably catchy tunes, which easily -- although surprisingly enough -- outshines the uncredited vocal appearance of Miley Cyrus on "Come Get It Bae". It's opener, "Marilyn Monroe", has the chance to be a top-ten hit -- at least overseas. None of it is exactly "Happy" Pt. II, but the album sounds too similar enough, let's not get carried away. It's a pop album that was intended to shine from the very beginning of its production and while it's not the shiniest (Daft Punk's suits shiny) it could have been, it's a good listen for anyone longing for subtle grooves and tame, yet sexual innuendo.… Expand
  3. JLash
    Mar 5, 2014
    8
    I really enjoyed the funky sound of GIRL. I found it surprising that "Hunter" was not mentioned at all, seeing as how it was my personal favorite. I do agree that some songs seem to continue long after they should come to a close, but overall, viewing the album independently, I give it an 8. I feel as if a 67 is far under what Pharrell deserves here.
  4. colourthesmallo
    Feb 9, 2015
    10
    This review contains spoilers, click expand to view. the best album of 2014!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!… Expand
  5. DungeonDisci
    Mar 3, 2014
    9
    GIRL is a great comeback album to follow Pharrell's 8 year hiatus. Following some of the steps Timberlake took with "20/20", Pharrell took the funky approach with these 10 songs. Every song has the joyful feel of "Happy" without getting old as you get further into the listen. Pharrell's vocals have improved in his hiatus & even though he didn't choose to use his hip-hop elements here, it'sGIRL is a great comeback album to follow Pharrell's 8 year hiatus. Following some of the steps Timberlake took with "20/20", Pharrell took the funky approach with these 10 songs. Every song has the joyful feel of "Happy" without getting old as you get further into the listen. Pharrell's vocals have improved in his hiatus & even though he didn't choose to use his hip-hop elements here, it's still was for the best. An appearance of Skateboard P would've been out of place. This is Grown Man Williams' show here & it's far from disappointing.

    High Points: "Brand New" (Featuring Justin Timberlake & Pharrell challenging each other's falsettos); The super smooth soul feel of "Gush; The funky feel of sex in "Come Get It Bae" with a surprisingly well used feature from Miley Cyrus, & a great collabo between P & Daft Punk on "Gust Of Wind" that's reminiscent of the Grammy winning "Get Lucky"    … Expand
  6. MatthewColombia
    Mar 10, 2014
    8
    A nice comeback album. It's pop wel crafted and well produced. Of course he's not reinventing something here, but it's way lot better than most crap on the pop radio nowadays. Pharrell still has it... My picks: Gush, Hunter, Happy, It Girl, Gust of Wind...
  7. JotaBrasil
    Mar 9, 2014
    7
    Quem acompanha o blog deve já ter percebido, mas não custa nada deixar bem: eu sou fã do Pharrell Williams. Faz tempo que eu acompanhado a sua trajetória como produtor solo e no grupo The Neptunes que conta com praticamente quase todo o grande mainstream pop/R&B/hip hop e até mesmo rock. Além disso, acompanhei a carreira solo dele com o álbum In My Mind e todas os seus featuring ao longoQuem acompanha o blog deve já ter percebido, mas não custa nada deixar bem: eu sou fã do Pharrell Williams. Faz tempo que eu acompanhado a sua trajetória como produtor solo e no grupo The Neptunes que conta com praticamente quase todo o grande mainstream pop/R&B/hip hop e até mesmo rock. Além disso, acompanhei a carreira solo dele com o álbum In My Mind e todas os seus featuring ao longo dos anos. sempre fiquei intrigado com a má vontade de parte da impressa especializada com o trabalho do cantor/produtor, pois sempre considerei ele um dos melhores artistas com uma sonoridade única e a frente do seu tempo. Então, vocês podem imaginar o quanto "feliz" estou com o sucesso comercial (solo) que Pharrell está tendo nos últimos tempos impulsionado com o hit Happy e o quanto animado fiquei ao saber que ele iria lançar seu segundo álbum. O problemas é que G I R L não corresponde as minhas expectativas mesmo sendo um bom álbum.

    G I R L é um álbum quase conceitual feito para celebrar o amor que Pharrell tem pelas mulheres. Isso é bom, pois ele consegue fazer isso de uma maneira elegante e respeitosa ao longo das 11 faixas. Só que a qualidade das canções fica exatamente entre o bom e o médio quase caindo para o fraco. Há vários momentos bobos ou de pouca inspiração em que Pharrell parece deixar exposta certa urgência na criação das letras o que parece ser resultado do fato do álbum ter sido lançado para aproveitar o sucesso dele. Mesmo assim o álbum tem bons momentos em que o artista mostra que sabe fazer letras para grudar na cabeça, mas com qualidade de primeira. As participações são de peso (Alicia Keys, Justin Timberlake, Miley Cyrus, Daft Punk, Timbaland e até mesmo do maestro Hans Zimmer), mas nenhuma delas fala para o que veio de verdade sendo apenas nomes nos créditos do álbum (talvez Alicia seja a mais relevante). Com produção exclusiva do próprio Pharrell, G I R L é um bom álbum neo soul/pop soul em que o artista mostra a sua personalidade a todo o tempo. Infelizmente, G I R L está preso em uma caixa sonora em que o produtor se colocou e não vai mais além do que ele já fez. Bom, mas faltou ousadia. Outro problema no álbum é a inclusão da ótima Happy: colocada aqui pelo fato do sucesso conseguido, a faixa é uma quebra da linearidade temática do trabalho resultando em um deslocamento da mesma. Mesmo assim, Happy é a melhor faixa de G I R L. Outros ótimos momentos são a canção Hunter em que Pharrell mostra sua influência do Prince e a faixa que abre o álbum, Marilyn Monroe. Mesmo não sendo o que poderia se esperar, Pharrell Williams ainda é o cara.    … Expand
  8. RedOwlReviews
    Mar 8, 2014
    7
    Sadly, the highly anticipated “G I R L” isn’t all I would have hoped for. Last-season beats and shallow lyrics underwhelm what should have been a strong solo album following Pharrell William’s unprecedented success in 2013. He acknowledges the essentials of funk, but neither captures its energy nor attaches any significance to it, making it difficult for “G I R L” to withstand the test ofSadly, the highly anticipated “G I R L” isn’t all I would have hoped for. Last-season beats and shallow lyrics underwhelm what should have been a strong solo album following Pharrell William’s unprecedented success in 2013. He acknowledges the essentials of funk, but neither captures its energy nor attaches any significance to it, making it difficult for “G I R L” to withstand the test of time in such a rapidly evolving art form. However, it’s still funk worth grooving to. Williams does excel in using high-profile cameos to his advantage. Justin Timberlake, Alicia Keys, and (most surprisingly) Miley Cyrus do not try to upstage, or even share the stage with, Pharrell. Rather, they all act as herbs and spices that enhance the overall flavor of the tracks they are featured on. Another high point in the album is his use of sweetheart lyrics - he isn’t afraid to expose his g i r l side, something the album cover best captures. In the end, while “G I R L” isn’t a miss, it arguably isn’t a hit either - a down-the-middle album for an artist who should be landing somewhere a little higher, especially now.

    FINA SCORE: 70 (pretty good)    … Expand
  9. leanthony87
    Mar 11, 2014
    9
    The songs on the album transition seamlessly between each other.
    The beats and melodies are addictive and memorable, everything about the album is melodic.
    It's just a really feel good record.It's like the male equivalent of The Beyonce Album(2013). I don't know why people are complaining, I'd rather hear a Neptune Beat recycled 1000 times than what is passed off as Pop as of late.    The songs on the album transition seamlessly between each other.
    The beats and melodies are addictive and memorable, everything about the album is melodic.
    It's just a really feel good record.It's like the male equivalent of The Beyonce Album(2013).
    I don't know why people are complaining, I'd rather hear a Neptune Beat recycled 1000 times than what is passed off as Pop as of late.
    Highlights: "Hunter","Gush","Happy","It Girl"    … Expand
  10. MRAButterfly
    Mar 12, 2014
    8
    Considering Pharrell didn't want to make this album it is a rather refreshing piece of work because of its obvious influences in disco, funk, and pop. If this is what Williams did to fill a contractual obligation, imagine how much more he could do!
    With that said, it's a solid album with some great production work, and great songwriting. Certainly worth anyone's time.
  11. Stripped
    Apr 18, 2014
    10
    This review contains spoilers, click expand to view. Realmente bueno, me alegro de que mi dinero se haya ido en este álbum, tiene temas muy divertidos y no solo Happy, además los duetos con Alicia Keys y Justin se me hacen muy buenas combinaciones, la verdad recomiendo este álbum.… Expand
  12. Malamar
    Oct 23, 2014
    8
    A fun album that makes you get lost in the music with songs like Happy, It Girl, and Marlyn Monroe. Pharrel out did himself this is a really good album.
  13. siana
    Jan 3, 2015
    10
    Soooooooooooooooooooooooooooo much better than the first. Catchy songs, he got this control in his songs that any artist should have. Keep going Pharrell, we are with you!

Awards & Rankings

39
#39 Most Discussed Album of 2014

Critic Reviews

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Metascore
67

Generally favorable reviews - based on 35 Critic Reviews

Critic score distribution:
  1. Positive: 18 out of 35
  2. Mixed: 14 out of 35
  3. Negative: 3 out of 35
  1. Mojo
    Apr 23, 2014
    60
    Only a few moments--Happy, the Daft Punk-featuring Gust Of Wind and I Know Who You Are--sound truly out of the ordinary. [May 2014, p.86]
  2. Q Magazine
    Apr 23, 2014
    80
    An album that manages to pile on fresh, innovative production without drowning out the frequently spectacular songwriting. [May 2014, p.118]
  3. cokemachineglow
    Mar 25, 2014
    50
    G I R L is safe, universal, and unforgivably dull. It should be a huge hit.
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