• Record Label: Columbia
  • Release Date: Mar 3, 2014
Metascore
67

Generally favorable reviews - based on 35 Critic Reviews

Critic score distribution:
  1. Positive: 18 out of 35
  2. Negative: 3 out of 35
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  1. Feb 27, 2014
    85
    The album is loaded with luscious orchestration, motivational mantras and playful sex metaphors. Its taught 10 tracks bring to mind the record Justin Timberlake could have made last year, if he had dared to leave anything on the cutting room floor.
  2. Q Magazine
    Apr 23, 2014
    80
    An album that manages to pile on fresh, innovative production without drowning out the frequently spectacular songwriting. [May 2014, p.118]
  3. 80
    By the mirrorball moment that heralds the lengthy coda to the closing ‘It Girl’, you’re left giddy and breathless, applauding a 20-year veteran who’s finally found his voice.
  4. 80
    If a long playing ode to the wonder of women was the driving concept behind G I R L, then of course, Williams has failed. If however, you want to hear an artist at the height of his popularity who’s all up in this place for a good time, then grab a hand and raise a cup (if you must), this G I R L will keep you entertained throughout.
  5. Mar 7, 2014
    80
    Girl is a simple, even slight record--and that's definitely meant as a compliment.
  6. Mar 3, 2014
    80
    Like Janet Jackson's Control and Madonna's Ray of Light before it, here is a record that should act as a shining light of how pop music should be done.
  7. Mar 3, 2014
    80
    G I R L not only represents a proper representation of his creativity, but, with high-profile guest spots (Timberlake, Cyrus, Daft Punk) and a number of radio-ready singles, it should also be a success on the charts and further his reputation as a pop icon.
  8. Mar 3, 2014
    80
    It's fun, frivolous, and low on excess.
  9. Mar 3, 2014
    80
    The most booty-shaking, speaker-twinkling, glitz-intensive pop-soul record to come down the turnpike in years, out-dazzling even kindred efforts by Timberlake, Bruno Mars, and Miguel.
  10. Feb 27, 2014
    80
    Williams is wise enough to know what he does best, and as the Prince-like finale, It Girl, embarks on its long instrumental fade--guitar riffs streaking out like fireworks while cowbells clang--you can't deny that this is the sound of an artist thoroughly enjoying himself.
  11. Mar 4, 2014
    75
    At what point does Pharrell’s disco pep begin to wear out its welcome? Probably around the 50-minute mark, but that isn’t an issue, since G I R L only runs 47.
  12. Mar 3, 2014
    75
    For most of G I R L, the singer reins in his freakier side for something more accessible, a logical, frothy if somewhat risk-averse follow-up to last summer's chart-topping singles.
  13. 75
    Ultimately, G I R L testifies to a woman's worth.
  14. Mar 5, 2014
    70
    While G I R L is too surface-level at times, it hits the target it’s aimed for.
  15. Mar 4, 2014
    70
    “Happy” is a strong ambassador for the mostly beguiling, sometimes meandering “G I R L,” Pharrell’s new album his first solo effort in eight years.
  16. Mar 3, 2014
    70
    G I R L may not be breaking many new boundaries, but it’s guaranteed to keep Williams in ludicrously large hats for some time to come.
  17. Mar 5, 2014
    67
    Those who aren’t giving Williams the time of day are missing out on some of the richest, most tasteful pop of a generation. And G I R L, his first solo album since 2006’s In My Mind, is 47 more minutes to back that up.
  18. Mar 7, 2014
    62
    While the immaculately blended pop smoothie that is G I R L goes down easy, its complacency is disappointing.
User Score
6.9

Generally favorable reviews- based on 166 Ratings

User score distribution:
  1. Negative: 27 out of 166
  1. Dec 10, 2014
    10
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bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão pisa no bruno mars lixão Full Review »
  2. Mar 4, 2014
    0
    By the fourth track... I was asleep. Tried to listen again two days later and fell asleep again. This is one of thee most boring albumsBy the fourth track... I was asleep. Tried to listen again two days later and fell asleep again. This is one of thee most boring albums EVER! The first three songs sound like one lonnnnnnnggggg song. It never ends. His music sounds dated and his vocals are not that good to begin with. I'm still confused as to how he's a "singer" and not just a producer.

    Which isn't really nothing to say about that.. being as though his beats are tired and dated. He needs help in the studio and clearly no one offered.
    Full Review »
  3. Mar 4, 2014
    0
    The album doesn't sound very fresh at all. I've to agree with a review that said with the Neptunes, it was Chad Hugo that added the bite toThe album doesn't sound very fresh at all. I've to agree with a review that said with the Neptunes, it was Chad Hugo that added the bite to the group. Did Pharrell really revive disco-influence music or was it the Marvin Gaye song that was bitten off heavily for Blurred Lines? Also, I've to say it was Daft Punk's creativity on Random Access Memories that explored the sound further. The lyrics on this album are banal and creepy at the same time. Pharrell's voice isn't falsetto. It's just a weak voice. Full Review »