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- Critic score
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Feb 27, 2012Minus usual vocal sidekicks Isobel Campbell and Greg Dulli (who appears briefly on the vintage drum-machine jam "St. Louis Elegy"), Lanegan's chafed baritone works best with bold backdrops.
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Feb 21, 2012The album is at its most successful when Lanegan allows these alien textures [electronics, atmospheric guitar] to take a more prominent role in his songs, providing a counterfoil to his gravelly rock vocals. Elsewhere the songs meander too much for the album to coalesce into a convincing statement.
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Feb 10, 2012Though the grappling guitars of 'Riot In My House' wouldn't seem out of place on an MC5 album, Blues Funeral doesn't always kick out the jams.
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Feb 10, 2012[The album] is essentially a standard Mark Lanegan Band release.
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Feb 6, 2012Recorded in Hollywood, which figures - there is a near-visual sense of overstatement to the bleakness.
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Feb 2, 2012[It] contains no great shocks: for the most part, this is bluesy, lugubrious, modernish rock, elevated by Lanegan's remarkable gravel-pit of a voice.
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Feb 2, 2012While most would expect nothing less from a Mark Lanegan Band LP, the end result is a record for ardent fans and not casual admirers.
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Feb 7, 2012Though a mixed bag, Blues Funeral does have its moments.
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Mar 6, 2012Lanegan remains a master of mood, his baritone croon one of rock's most inviting instruments. But even that voice can't patch over the weak spots on this inconsistent album.
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Feb 7, 2012Lanegan's voice may be timeless, but its versatility has its limits--and Blues Funeral tests those limits just a little too much.
User score distribution:
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Positive: 19 out of 22
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Mixed: 3 out of 22
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Negative: 0 out of 22
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Jan 17, 2013
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Apr 26, 2012
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Mar 15, 2012