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There is some nice arrangements here, even if too many of the tracks sound like they belong on some type of chillout/easy listening compilation.
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A New Tide also contains some of the band's most straightforward material yet.
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MojoMostly A New Tide is high on big tunes and low on character. [May 2009, p.108]
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UncutHints of "The Basement Tapes" glimmer through pieces like 'Win Park Slope' or 'Airstream Driver,' while John Martyn and Nick Drake ride again in the mystic folkery of 'Little Pieces.' [May 2009, p.86]
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It may be the weakest album in their catalog.
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It's a showy album with very little to show.
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New Tide continues Gomez's struggle to accurately identify its sound after the initial boon of 1998's Mercury Prize, further wedging them into a narrow void between two unbecoming styles.
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Be that as it may, it is the band's recent failure to effectively collaborate, and for these 11 tracks to properly mesh, that has fostered the mediocrity inherent in A New Tide.
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The kinder, gentler, safe-for-consumption-by-sorority-girls version is fine, but it's merely entertaining where it used to be enchanting.
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A New Tide is a respectable affair reminiscent of the Beta Band at best (Airstream Driver) and David Gray at its coffee-table worst, courtesy of vocalist Ian Ball's folksy bleat.
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Q MagazineThe likes of 'Win Park Slope' are pleasant, but also disappontingly unremarkable. [May 2009, p.112]
User score distribution:
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Positive: 15 out of 20
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Mixed: 4 out of 20
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Negative: 1 out of 20
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RayBApr 9, 2009
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MeanMrMonkeyApr 18, 2009
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sorenkApr 17, 2009