| HBO Max | Release Date (Streaming): March 18, 2021 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
16
Mixed:
23
Negative:
7
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Critic Reviews
The TelegraphMar 15, 2021
It shares a vague shape and a handful of specific, linchpin scenes with its predecessor, but everything about it lands differently: characters that were previously empty or ludicrous now have real grit and depth, while action sequences that were once incoherent, lightweight and garish now number among the most thunderously spectacular in the genre.
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This film is gorgeous, massive in scope, well-written, and superbly acted. It goes beyond being a Michael Bay-explosion fest and definitively transcends action and destruction porn. This is a real movie. Every single issue I had with the original release is fixed—everything from pacing, cinematography, acting, characterization, and even the film’s score.
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The new movie — and make no mistake, it really is a new movie — is more than a vindication of Snyder’s original vision. It’s a grand, nimble, and immersive entertainment, a team-of-heroes origin story that, at heart, is classically conventional, yet it’s now told with such an intoxicating childlike sincerity and ominous fairy-tale wonder that it takes you back to what comic books, at their best, have always sought to do: make you feel like you’re seeing gods at play on Earth.
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Zack Snyder’s Justice League is a surprise vindication for the director and the fans that believed in his vision. With a mature approach to its superhero drama, better-realized antagonists, and improved action, Snyder’s version of Justice League saves the movie from the dustbin of history.
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The Film StageMar 15, 2021
As a gift to those who’ve stuck with him through changing trends in the genre, the director’s vision gets its freest reign in this four-hour director’s cut, boldly titled Zack Snyder’s Justice League and thus asserting authorship under what’s become not so much a genre of cinema as it as an entire mode of production, corporately controlled and split over hundreds of FX artisans in post. And while still bearing a few unfortunate marks of industrial cinema (like almost all of The Flash’s painfully lame jokes from the studio-bungled theatrical cut being kept intact), this title is earned.
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The film isn’t without its pleasures; it’s fun to see Aquaman and Wonder Woman beat people up and smirk afterward. I didn’t realize that watching Superman blow on stuff and freeze it with this super breath was something that would bring me immense happiness. And I’ve sunk an afternoon or more into video games in the past. But it would’ve been nice to see Snyder knock this out of the park and supplement his eye for visuals and his unique style with a story that had a bit more soul, especially with his very rare $70 million second chance.
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